Cannes 2018
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Re: Cannes 2018
Thankfully Netflix only have the North & South American rights to Happy As Lazzaro (and Girl which isn't something I'd be likely to watch anyway).
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
Re: Cannes 2018
Word on distribution, at least in the United States:
Amazon - Cold War
A24 - Climax, Under the Silver Lake
Bleecker Street - Arctic
Cohen - Ash is Purest White
Focus - BlacKKKlansman
IFC - The House That Jack Built
Kino Lorber - The Image Book
Magnolia - Shoplifter
Netflix - Girl, Happy As Lazzaro
The Orchard - Birds of Passage
Sony Pictures Classics - Capernaum, Everybody Knows
There's usually more word on distribution.
Amazon - Cold War
A24 - Climax, Under the Silver Lake
Bleecker Street - Arctic
Cohen - Ash is Purest White
Focus - BlacKKKlansman
IFC - The House That Jack Built
Kino Lorber - The Image Book
Magnolia - Shoplifter
Netflix - Girl, Happy As Lazzaro
The Orchard - Birds of Passage
Sony Pictures Classics - Capernaum, Everybody Knows
There's usually more word on distribution.
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Re: Cannes 2018
Always funny when the worst film (this year being Capernaum wins a prize) whilst some of the most acclaimed (Ash is Purest White) walk away empty handed. Cannes wouldn't be the same without this ongoing anomaly.
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
Re: Cannes 2018
Winners:
Palme D'Or: Shoplifters (Hirokazu Kore-Eda)
Grand Prize: BlacKKKlansman (Spike Lee)
Jury Prize: Capernaum (Nadine Labaki)
Special Palme: Jean Luc Godard, Image Book
Actor: Marcello Donte, Dogman
Actress: Samal Yeslyamova, Ayka
Director: Cold War (Pawel Pawlikowski)
Screenplay: Happy as Lazzaro (Alice Rohrwacher) and 3 Faces (Nader Saeivar)
Palme D'Or: Shoplifters (Hirokazu Kore-Eda)
Grand Prize: BlacKKKlansman (Spike Lee)
Jury Prize: Capernaum (Nadine Labaki)
Special Palme: Jean Luc Godard, Image Book
Actor: Marcello Donte, Dogman
Actress: Samal Yeslyamova, Ayka
Director: Cold War (Pawel Pawlikowski)
Screenplay: Happy as Lazzaro (Alice Rohrwacher) and 3 Faces (Nader Saeivar)
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Re: Cannes 2018
A link to critics ratings of the Cannes selections. Asian cinema in the competition seems to be outpacing everything else:
http://www.todaslascriticas.com.ar/cannes/2018
Also, a link that I meant to post earlier but forgot, about the 'silent womens protest' on the red carpet:
https://www.google.com/url?q=https://ww ... y9LAagCzEO
http://www.todaslascriticas.com.ar/cannes/2018
Also, a link that I meant to post earlier but forgot, about the 'silent womens protest' on the red carpet:
https://www.google.com/url?q=https://ww ... y9LAagCzEO
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
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Re: Cannes 2018
Perhaps von Trier should change his name to Lars von Troll, it would a good fit and he'd gets lots of publicity which he so obviously craves.
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
Re: Cannes 2018
What I admire so much about Lars von Trier is that he’s made a couple of masterpieces, a couple of sadistic failures, and a couple of noble misfires... but nobody can agree which is which. I haven’t loved a film of his in ages, but he’s some kind of artist. But trolldom always corrupts the appropriate targets. Some people shitpost, some people premiere movies at Cannes in the name of free speech.dws1982 wrote
It seems as if all von Trier wants out of life at this point is to be a troll, so I guess this has to be a success for him.
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Re: Cannes 2018
It seems as if all von Trier wants out of life at this point is to be a troll, so I guess this has to be a success for him.
Haven't got to keep up with the festival as much as I would like, but it sounds like a very good one.
Very good reviews for Hirokazu Kore-eda's Shoplifters, Alice Rohrwacher's Happy as Lazzaro, Pawel Pawlikowski's Cold War, Jia Zhangke's Ash is Purest White and Spike Lee's BlacKKKlansman.
Doesn't seem like there have been any outright disasters yet, a la the Sean Penn movie from a few years back, or the Gus van Sant one from a couple of years ago.
Haven't got to keep up with the festival as much as I would like, but it sounds like a very good one.
Very good reviews for Hirokazu Kore-eda's Shoplifters, Alice Rohrwacher's Happy as Lazzaro, Pawel Pawlikowski's Cold War, Jia Zhangke's Ash is Purest White and Spike Lee's BlacKKKlansman.
Doesn't seem like there have been any outright disasters yet, a la the Sean Penn movie from a few years back, or the Gus van Sant one from a couple of years ago.
Last edited by dws1982 on Tue May 15, 2018 9:08 pm, edited 1 time in total.
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Re: Cannes 2018
von Trier's latest has received scathing reviews and very negative reactions. When he is going to grow up. He hasn't made a decent film since Manderlay (and I'm in the minority with that view) an nothing approaching greatness since Dancer in the Dark. Doesn't he realise that cinema of the provocative has finished and moved to the internet.....
https://www.theguardian.com/film/2018/m ... -at-cannes
https://www.theguardian.com/film/2018/m ... -at-cannes
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
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Re: Cannes 2018
Asghar Farhadi's Everybody Knows gets underwhelming reviews from THR & Variety. The Wrap, however, loved it. Also, Focus Features have picked up the rights for most of the English speaking world. Don't know how many people are aware but Netflix was/is threatening to purchase a swag of Cannes titles. This one in particular was actually named. Good to see they didn't get there way.
https://www.hollywoodreporter.com/revie ... ew-1108957
http://variety.com/2018/film/festivals/ ... 202802533/
https://www.hollywoodreporter.com/revie ... ew-1108957
http://variety.com/2018/film/festivals/ ... 202802533/
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
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Re: Cannes 2018
A very eclectic lineup of jury members and I must say the most interesting group in years.
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
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Re: Cannes 2018
A good summary of the festival from Peter Bradshaw:
https://www.theguardian.com/film/2018/a ... 018-lineup
I'll add that I'm also interest in the new Kirill Serebrennikov film (his previous was the little seen The Student) & Matteo Garrone, which knowing my luck won't screen at the upcoming Sydney or Melbourne film festival but will end up at the Italian film festival whilst I'm out of the country on holidays .
https://www.theguardian.com/film/2018/a ... 018-lineup
I'll add that I'm also interest in the new Kirill Serebrennikov film (his previous was the little seen The Student) & Matteo Garrone, which knowing my luck won't screen at the upcoming Sydney or Melbourne film festival but will end up at the Italian film festival whilst I'm out of the country on holidays .
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
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Re: Cannes 2018
Not the most inspiring bunch of filmmakers but I guess you take what you can get. And besides as good or even great as some contemporary filmmakers are they aren't a patch on the mostly deceased legends.
Nevertheless I look forward to the new films by Stéphane Brizé, Jean-Luc Godard, Jia Zhang-Ke, Kore-Eda Hirokazu & Alice Rohrwacher. Will have to wait for responses to the other films to pipe up my interest.
Nevertheless I look forward to the new films by Stéphane Brizé, Jean-Luc Godard, Jia Zhang-Ke, Kore-Eda Hirokazu & Alice Rohrwacher. Will have to wait for responses to the other films to pipe up my interest.
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
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Re: Cannes 2018
The Cannes lineup:
Opening Night Film
“Everybody Knows,” Asghar Farhadi (In Competition)
Competition
“At War,” Stéphane Brizé
“Dogman,” Matteo Garrone
“The Picture Book,” Jean-Luc Godard
“Asako I & II,” Ryusuke Hamaguchi
“Sorry Angel,” Christophe Honoré
“Girls of the Sun,” Eva Husson
“Ash Is Purest White,” Jia Zhang-Ke
“Shoplifters,” Kore-Eda Hirokazu
“Capernaum,” Nadine Labaki
“Burning,” Lee Chang-Dong
“BlacKkKlasman,” Spike Lee
“Under the Silver Lake,” David Robert Mitchell
“Three Faces,” Jafar Panahi
“Cold War,” Pawel Pawlikowski
“Lazzaro Felice,” Alice Rohrwacher
“Yomeddine,” A.B Shawky
“Summer,” Kirill Serebrennikov
Un Certain Regard
“Border,” Ali Abbasi
“Sofia,” Meyem Benm’Barek
“Little Tickles,” Andréa Bescond & Eric Métayer
“Long Day’s Journey Into Night,” Bi Gan
“Manto,” Nandita Das
“Sextape,” Antoine DESROSIÈRES
“Girl,” Lukas Dhont
“Angel Face,” Vanessa Filho
“Euphoria,” Valeria Golino
“Friend,” Wanuri Kahiu
“My Favorite Fabric,” Gaya Jiji
“The Harvesters,” Etienne Kallos
“In My Room,” Ulrich Köhler
“The Angel,” Luis Ortega
“The Gentle Indifference of the World,” Adilkhan Yerzhanov
Out of Competition
“Solo: A Star Wars Story,” Ron Howard
“Le Grand Bain,” Gilles Lellouche
Special Screenings
“10 Years in Thailand,” Aditya Assarat, Wisit Sasanatieng, Chulayarnon Sriphol & Apichatpong Weerasethakul
“The State Against Mandela and Others,” Nicolas Champeaux & Gilles Porte
“Le Grand Cirque Mystique,” Carlo Diegues
“Dead Souls,” by Wang Bing
“To the Four Winds,” Michel Toesca
“La Traversee,” Romain Goupil
“Pope Frances – A Man of His Word,” Wim Wenders
Midnight Screenings
“Arctic,” Joe Penna
“The Spy Gone North,” Yoon Jong-Bing
Opening Night Film
“Everybody Knows,” Asghar Farhadi (In Competition)
Competition
“At War,” Stéphane Brizé
“Dogman,” Matteo Garrone
“The Picture Book,” Jean-Luc Godard
“Asako I & II,” Ryusuke Hamaguchi
“Sorry Angel,” Christophe Honoré
“Girls of the Sun,” Eva Husson
“Ash Is Purest White,” Jia Zhang-Ke
“Shoplifters,” Kore-Eda Hirokazu
“Capernaum,” Nadine Labaki
“Burning,” Lee Chang-Dong
“BlacKkKlasman,” Spike Lee
“Under the Silver Lake,” David Robert Mitchell
“Three Faces,” Jafar Panahi
“Cold War,” Pawel Pawlikowski
“Lazzaro Felice,” Alice Rohrwacher
“Yomeddine,” A.B Shawky
“Summer,” Kirill Serebrennikov
Un Certain Regard
“Border,” Ali Abbasi
“Sofia,” Meyem Benm’Barek
“Little Tickles,” Andréa Bescond & Eric Métayer
“Long Day’s Journey Into Night,” Bi Gan
“Manto,” Nandita Das
“Sextape,” Antoine DESROSIÈRES
“Girl,” Lukas Dhont
“Angel Face,” Vanessa Filho
“Euphoria,” Valeria Golino
“Friend,” Wanuri Kahiu
“My Favorite Fabric,” Gaya Jiji
“The Harvesters,” Etienne Kallos
“In My Room,” Ulrich Köhler
“The Angel,” Luis Ortega
“The Gentle Indifference of the World,” Adilkhan Yerzhanov
Out of Competition
“Solo: A Star Wars Story,” Ron Howard
“Le Grand Bain,” Gilles Lellouche
Special Screenings
“10 Years in Thailand,” Aditya Assarat, Wisit Sasanatieng, Chulayarnon Sriphol & Apichatpong Weerasethakul
“The State Against Mandela and Others,” Nicolas Champeaux & Gilles Porte
“Le Grand Cirque Mystique,” Carlo Diegues
“Dead Souls,” by Wang Bing
“To the Four Winds,” Michel Toesca
“La Traversee,” Romain Goupil
“Pope Frances – A Man of His Word,” Wim Wenders
Midnight Screenings
“Arctic,” Joe Penna
“The Spy Gone North,” Yoon Jong-Bing