Sorry I mixed up the two.....Pisier and Barrault.Big Magilla wrote:She wasn't. She did win a Cesar (French Oscar) as Best Supporting Actress for Couisn, Cousine for which the film's star, Marie-Christine Barrault. recived an Oscar nomination for Best Actress.
R.I.P. Marie-France Pisier
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Big Magilla
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David Hudson, The Daily:
Le Point and L'Express are among the French news outlets reporting that Marie-France Pisier has died at her home in Saint Cyr sur Mer at the age of 66. First mention is generally going to her work with François Truffaut; her debut, after all, was in his Antoine and Colette, a short film that was part of the 1962 anthology Love at Twenty and she would reprise the role in Stolen Kisses (1968) and Love on the Run (1979). The film many will be thinking of today, though, is Jacques Rivette's Céline and Julie Go Boating (1974). In 1981, Julia Lesage described her role in the film's development: "Script credit is given to Juliet Berto, Dominique Labourier, Bulle Ogier, Marie-France Pisier, and Jacques Rivette…. According to Berto, she and Labourier imagined creating a combination of Persona and What Ever Happened To Baby Jane? in a film with two female protagonists. Berto said, 'Each of them could have been the other. To be an actress, that's to be someone ambiguous. They would pursue each other; they would meet. That could be magic or not. At that moment, there'd be a mystery with a phantom house and phantom people.' Berto and Labourier wanted the phantom characters to be invisible; Rivette wanted them visible. With Ogier, Pisier, and friend Eduardo de Gregorio, they spent the summer working out the decor, costumes, and dialogue of that interior story."
Pisier won a Best Actress Cesar and, in general, wider international recognition for her starring rolle in Jean-Charles Tacchella's 1975 comedy Cousin, cousine and she's appeared in three of André Téchiné's films: French Provincial (1975), Barocco (1976) and The Brontë Sisters (1978).
From TCM: "Pisier attempted to crack the American film industry with The Other Side of Midnight (1977), a dull misfire adapted from a Sidney Sheldon novel. She did not fare well with either her TV credits (the 1979 ABC miniseries The French Atlantic Affair and 1980's Scruples) or her second Hollywood film French Postcards (1979). Returning to France, she continued to work; in 1990, Pisier made her directorial debut with Le Bal du gouverneur/The Governor's Party, which she adapted from her own novel. Still gorgeous, she also offered a marvelous turn as the vulgar Madame Verdurin in Time Regained/Le Temps retrouve (1999) Raúl Ruiz's adaptation of Proust."
Her last onscreen appearance will be in a documentary on Jean-Paul Belmondo which will see its premiere in Cannes in a couple of weeks. The French papers report that she'd planned to attend.
Le Point and L'Express are among the French news outlets reporting that Marie-France Pisier has died at her home in Saint Cyr sur Mer at the age of 66. First mention is generally going to her work with François Truffaut; her debut, after all, was in his Antoine and Colette, a short film that was part of the 1962 anthology Love at Twenty and she would reprise the role in Stolen Kisses (1968) and Love on the Run (1979). The film many will be thinking of today, though, is Jacques Rivette's Céline and Julie Go Boating (1974). In 1981, Julia Lesage described her role in the film's development: "Script credit is given to Juliet Berto, Dominique Labourier, Bulle Ogier, Marie-France Pisier, and Jacques Rivette…. According to Berto, she and Labourier imagined creating a combination of Persona and What Ever Happened To Baby Jane? in a film with two female protagonists. Berto said, 'Each of them could have been the other. To be an actress, that's to be someone ambiguous. They would pursue each other; they would meet. That could be magic or not. At that moment, there'd be a mystery with a phantom house and phantom people.' Berto and Labourier wanted the phantom characters to be invisible; Rivette wanted them visible. With Ogier, Pisier, and friend Eduardo de Gregorio, they spent the summer working out the decor, costumes, and dialogue of that interior story."
Pisier won a Best Actress Cesar and, in general, wider international recognition for her starring rolle in Jean-Charles Tacchella's 1975 comedy Cousin, cousine and she's appeared in three of André Téchiné's films: French Provincial (1975), Barocco (1976) and The Brontë Sisters (1978).
From TCM: "Pisier attempted to crack the American film industry with The Other Side of Midnight (1977), a dull misfire adapted from a Sidney Sheldon novel. She did not fare well with either her TV credits (the 1979 ABC miniseries The French Atlantic Affair and 1980's Scruples) or her second Hollywood film French Postcards (1979). Returning to France, she continued to work; in 1990, Pisier made her directorial debut with Le Bal du gouverneur/The Governor's Party, which she adapted from her own novel. Still gorgeous, she also offered a marvelous turn as the vulgar Madame Verdurin in Time Regained/Le Temps retrouve (1999) Raúl Ruiz's adaptation of Proust."
Her last onscreen appearance will be in a documentary on Jean-Paul Belmondo which will see its premiere in Cannes in a couple of weeks. The French papers report that she'd planned to attend.