The Gothams

[Sabin]

WINNERS AS THEY ARE ANNOUNCED:

Best Feature: The Lost Daughter
Best Documentary Feature: Flee
Best International Feature: Drive My Car
Bingham Ray Breakthrough Director Award:Maggie Gyllenhaal, The Lost Daughter
Best Screenplay: Maggie Gyllenhaal, the Lost Daughter
Outstanding Lead Performance: Olivia Colman, The Lost Daughter & Frankie Faison, The Killing of Kenneth Chamberlain
Outstanding Supporting Performance: Troy Kotsur, CODA
Breakthrough Performer: Emilia Jones, CODA

Breakthrough Series -- Long Format: Squid Game
Breakthrough Series -- Short Format: Reservation Dogs
Breakthrough Nonfiction Series: Philly D.A.
Outstanding Performance in a New Series: (TIE) Ethan Hawke, The Good Lord Bird & Thuso Mbedu, The Underground Railroad

[OscarGuy]

GALECA is the only organization so far that I know will be eliminating gender-based categories this year. They swore up and down to the membership that there was a parity between male and female winners in the past when they've looked at numbers, but I find that argument suspect. Regardless, since the Gothams are committee-nominated, they have the ability to massage and manipulate the final list to ensure parity. The winners, on the other hand, might give us more information about the trends.

GALECA doesn't have nominating committees, so that would be the group to look at to see if women outnumber men or not. Of course, each year's going to fluctuate, so we'll have to see how that works over time.

[Mister Tee]

No gender nominations

While I doubt the Oscars will ever adopt this in any of our lifetimes, I could definitely see critic groups doing this, particularly those with younger memberships. If so, it will be interesting to see if male performers are nominated at a higher rate than female performers.

I'd guess that any group that went this route would bend over backwards to push female and non-binary performers.

[rolotomasi99]

No gender nominations

While I doubt the Oscars will ever adopt this in any of our lifetimes, I could definitely see critic groups doing this, particularly those with younger memberships. If so, it will be interesting to see if male performers are nominated at a higher rate than female performers.

[mlrg]

No gender nominations

[Big Magilla]

They may be a precursor but they're not much of an indicator given that eligibility is capped at films costing under $35 million.

Biggest surprise is that Mass, which was eligible, has just one nomination.

[anonymous1980]

First precursors out of the gate:

Best Feature
“The Green Knight”
“The Lost Daughter”
“Passing”
“Pig”
“Test Pattern”

Best Documentary Feature
“Ascension”
“Faya Dayi”
“Flee”
“President”
“Summer Of Soul (…Or, When The Revolution Could Not Be Televised)”

Best International Feature
“Azor”
“Drive My Car”
“The Souvenir Part II”
“Titane”
“What Do We See When We Look at the Sky?”
“The Worst Person In The World”

Bingham Ray Breakthrough Director Award
Maggie Gyllenhaal for “The Lost Daughter”
Edson Oda for “Nine Days”
Rebecca Hall for “Passing”
Emma Seligman for “Shiva Baby”
Shatara Michelle Ford for “Test Pattern”

Best Screenplay
“The Card Counter,” Paul Schrader
“El Planeta,” Amalia Ulman
“The Green Knight,” David Lowery
“The Lost Daughter,” Maggie Gyllenhaal
“Passing,” Rebecca Hall
“Red Rocket,” Sean Baker & Chris Bergoch

Outstanding Lead Performance
Olivia Colman in “The Lost Daughter”
Frankie Faison in “The Killing of Kenneth Chamberlain”
Michael Greyeyes in “Wild Indian”
Brittany S. Hall in “Test Pattern”
Oscar Isaac in “The Card Counter”
Taylour Paige in “Zola”
Joaquin Phoenix in “C’mon C’mon”
Simon Rex in “Red Rocket”
Lili Taylor in “Paper Spiders”
Tessa Thompson in “Passing”

Outstanding Supporting Performance
Reed Birney in “Mass”
Jessie Buckley in “The Lost Daughter”
Colman Domingo in “Zola”
Gaby Hoffmann in “C’mon C’mon”
Troy Kotsur in “CODA”
Marlee Matlin in “CODA”
Ruth Negga in “Passing”

Breakthrough Performer
Emilia Jones in “CODA”
Natalie Morales in “Language Lessons”
Rachel Sennott in Shiva Baby”
Suzanna Son in “Red Rocket”
Amalia Ulman in “El Planeta”

Breakthrough Series – Long Format (over 40 minutes)
“The Good Lord Bird”
“It’s A Sin”
“Small Axe”
“Squid Game”
“The Underground Railroad”
“The White Lotus”

Breakthrough Series – Short Format (under 40 minutes)
“Blindspotting”
“Hacks”
“Reservation Dogs”
“Run the World”
“We Are Lady Parts”

Breakthrough Nonfiction Series
“City So Real”
“Exterminate All the Brutes”
“How To with John Wilson”
“Philly D.A.”
“Pride”

Outstanding Performance in a New Series
Jennifer Coolidge in “The White Lotus”
Michael Greyeyes in “Rutherford Falls”
Ethan Hawke in “The Good Lord Bird”
Devery Jacobs in “Reservation Dogs”
Lee Jung-jae in “Squid Game”
Thuso Mbedu in “The Underground Railroad”
Jean Smart in “Hacks”
Omar Sy in “Lupin”
Anya Taylor-Joy in “The Queen’s Gambit”
Anjana Vasan in “We Are Lady Parts”