Last Seen Movie - The Latest Movie You Have Seen; ratings
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Lily Tomlin's character in Nashville was written by/for Louise Fletcher whose husband Jerry Bick who had produced Altman's The Long Goodbye and Thieves Like Us, but when Altman and Bick had a falling out Altman recast the role with Tomlin.
One wonders what the 1975 Oscars might have been had Fletcher kept the part and Anne Bancoft, Ellen Burstyn, Jane Fonda, Geraldine Page, Angela Lansbury or Colleen Dewhurst, all of whom turned it down, had played Nurse Ratched instead of Fletcher.
One wonders what the 1975 Oscars might have been had Fletcher kept the part and Anne Bancoft, Ellen Burstyn, Jane Fonda, Geraldine Page, Angela Lansbury or Colleen Dewhurst, all of whom turned it down, had played Nurse Ratched instead of Fletcher.
You know, the praise for Lily Tomlin in Nashville has always mystified me; sure, the scene in the nightclub, when she's listening to Keith Carradine sing, is exquisite, but, overall, I think any of the other Nashville ladies, from the nominated Ronee Blakely to the non-nominated Gwen Welles and Barbara Harris, were far superior.
"...it is the weak who are cruel, and...gentleness is only to be expected from the strong." - Leo Reston
"Cruelty might be very human, and it might be cultural, but it's not acceptable." - Jodie Foster
"Cruelty might be very human, and it might be cultural, but it's not acceptable." - Jodie Foster
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--Sabin wrote:Did Lee Grant deserve the Oscar over Lily Tomlin?
No way. Lee Grant is intermittently amusing and has some good zingers but it's not a very challenging role at all.
I think an all-Nashville lineup would have been one of the greatest slates of all time. Blakley. Chaplin. Harris. Tomlin. Welles. I'm getting a little giddy just thinking about it!
Edited By Big Magilla on 1241619365
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Bekleme odasi (2004) Zeki Demirkubuz 5/10
Wendy and Luck (2008) Kelly Reichardt 9/10
Tom Brown's School Days (1951) Gordon Parry 7/10
Wendy and Luck (2008) Kelly Reichardt 9/10
Tom Brown's School Days (1951) Gordon Parry 7/10
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
--Big Magilla wrote:
The performance that was criminally ignored was Beatty's. His was easily the year's best lead comedic work. He should have been nominated in place of Walter Matthau's hambone crapola in The Sunshine Boys.
The Sunshine Boys is on my shelf waiting to be seen, part of my accolade of seeing all acting nominees since 1970, but I agree with you on Beatty.
Ironically, although I think Busgy and Bonnie and Clyde still remain as my favourite Beatty's performances, I think he is very good on comedic roles.
Edited By Big Magilla on 1241619391
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Hal Ashby's first seven films as a director - The Landlord, Harold and Maude, The Last Detail, Shampoo, Bound for Glory, Coming Home and Being There - were quintessential 1970s films. Every one of them is worth revisiting from time to time.
All of them feature great performances. The greats in Shampoo were Warren Beatty, Julie Christie, Goldie Hawn and Lee Grant. I didn't care for either Jack Warden or Carrie Fisher. Warden's best screen performance IMO was in The Verdict seven years later.
Grant though good, was better in The Landlord. Lily Tomlin and Ronee Blakley were the year's standout supporting actresses in Nashville but Grant was considered due.
The performance that was criminally ignored was Beatty's. His was easily the year's best lead comedic work. He should have been nominated in place of Walter Matthau's hambone crapola in The Sunshine Boys.
All of them feature great performances. The greats in Shampoo were Warren Beatty, Julie Christie, Goldie Hawn and Lee Grant. I didn't care for either Jack Warden or Carrie Fisher. Warden's best screen performance IMO was in The Verdict seven years later.
Grant though good, was better in The Landlord. Lily Tomlin and Ronee Blakley were the year's standout supporting actresses in Nashville but Grant was considered due.
The performance that was criminally ignored was Beatty's. His was easily the year's best lead comedic work. He should have been nominated in place of Walter Matthau's hambone crapola in The Sunshine Boys.
--Sabin wrote:Really want to see Shampoo. I'm a very big Ashby fan. Did Lee Grant deserve the Oscar over Lily Tomlin? I can't imagine a better performance that year.
I still have to see Nashville but I think Grant fully deserved at least a nomination. Jack Warden for me is the one who deserved it.
Edited By Big Magilla on 1241619408