And I had Hüller and Stone for lead with Scott and on other guy (Murphy instead of Wright) for runners-up.
I also had Randolph as one of the supporting winners and Melton as one of the runners-up with Downey in place of McAdams and Pike in place of Gladstone whose placement in support is probably a one-off at this point.
Los Angeles Film Critics Association Awards
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Re: Los Angeles Film Critics Association Awards
Two things to note re: the performance awards.
1) Gladstone does the Reverse Arquette.
2) I weirdly had the exacta in lead -- nailed all four winners/runners-up -- except I expected they'd break down male/female instead of breaking out two women/two men.
Also weird that, in a year we've been talking about how strong the male roster is, that females should take both win slots.
1) Gladstone does the Reverse Arquette.
2) I weirdly had the exacta in lead -- nailed all four winners/runners-up -- except I expected they'd break down male/female instead of breaking out two women/two men.
Also weird that, in a year we've been talking about how strong the male roster is, that females should take both win slots.
Re: Los Angeles Film Critics Association Awards
LAFCA is an ordeal. It goes forever.
I'm already wondering if I did the right thing shifting from Poor Things to KotFM; after seeing it, it just strikes me as more of an audience crowd-pleasing. But it does look great.
I'm already wondering if I did the right thing shifting from Poor Things to KotFM; after seeing it, it just strikes me as more of an audience crowd-pleasing. But it does look great.
"How's the despair?"
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Re: Los Angeles Film Critics Association Awards
Thanks for grabbing this duty. I'm already going crazy following the two (along with doing Connections and my Sunday crossword), and appreciate not having to compile both lists
Los Angeles Film Critics Association Awards
Best Picture: THE ZONE OF INTEREST
(runner up: OPPENHEIMER)
Best Film Not in the English Language: ANATOMY OF A FALL
(runner up: TOTEM)
Best Director: Jonathan Glazer, THE ZONE OF INTEREST
(runner up: Yorgos Lanthimos, POOR THINGS)
Best Lead Performance: Sandra Hüller, ANATOMY OF A FALL and THE ZONE OF INTEREST, and Emma Stone, POOR THINGS
(runner up: Andrew Scott, ALL OF US STRANGERS, and Jeffrey Wright, AMERICAN FICTION)
Best Supporting Performance: Rachel McAdams, ARE YOU THERE GOD? IT’S ME, MARGARET., and Da’Vine Joy Randolph, THE HOLDOVERS
(runner up: Lily Gladstone, KILLERS OF THE FLOWER MOON, and Ryan Gosling, BARBIE)
Best Screenplay: Andrew Haigh, ALL OF US STRANGERS
(Runner up: Samy Burch, MAY DECEMBER)
Best Cinematography: Robbie Ryan, POOR THINGS
(runner up: Rodrigo Prieto, KILLERS OF THE FLOWER MOON & BARBIE)
Best Editing: Laurent Sénéchal, ANATOMY OF A FALL
(Runner-up: Jonathan Alberts, ALL OF US STRANGERS )
Best Music/Score: Mica Levi, THE ZONE OF INTEREST, with special recognition of the contribution of sound designer Johnnie Burn)
(runner up: Mark Ronson and Andrew Wyatt, BARBIE
Best Production Design: Sarah Greenwood, BARBIE
(runner up: Shona Heath and James Price, POOR THINGS)
Best Animation: THE BOY AND THE HERON
(runner up: ROBOT DREAMS)
Best Non-Fiction Film: MENUS-PLAISIRS — LES TROISGROS
(runner up: THE ETERNAL MEMORY)
New Generation: Celine Song, PAST LIVES
(runner up: OPPENHEIMER)
Best Film Not in the English Language: ANATOMY OF A FALL
(runner up: TOTEM)
Best Director: Jonathan Glazer, THE ZONE OF INTEREST
(runner up: Yorgos Lanthimos, POOR THINGS)
Best Lead Performance: Sandra Hüller, ANATOMY OF A FALL and THE ZONE OF INTEREST, and Emma Stone, POOR THINGS
(runner up: Andrew Scott, ALL OF US STRANGERS, and Jeffrey Wright, AMERICAN FICTION)
Best Supporting Performance: Rachel McAdams, ARE YOU THERE GOD? IT’S ME, MARGARET., and Da’Vine Joy Randolph, THE HOLDOVERS
(runner up: Lily Gladstone, KILLERS OF THE FLOWER MOON, and Ryan Gosling, BARBIE)
Best Screenplay: Andrew Haigh, ALL OF US STRANGERS
(Runner up: Samy Burch, MAY DECEMBER)
Best Cinematography: Robbie Ryan, POOR THINGS
(runner up: Rodrigo Prieto, KILLERS OF THE FLOWER MOON & BARBIE)
Best Editing: Laurent Sénéchal, ANATOMY OF A FALL
(Runner-up: Jonathan Alberts, ALL OF US STRANGERS )
Best Music/Score: Mica Levi, THE ZONE OF INTEREST, with special recognition of the contribution of sound designer Johnnie Burn)
(runner up: Mark Ronson and Andrew Wyatt, BARBIE
Best Production Design: Sarah Greenwood, BARBIE
(runner up: Shona Heath and James Price, POOR THINGS)
Best Animation: THE BOY AND THE HERON
(runner up: ROBOT DREAMS)
Best Non-Fiction Film: MENUS-PLAISIRS — LES TROISGROS
(runner up: THE ETERNAL MEMORY)
New Generation: Celine Song, PAST LIVES
Last edited by Sabin on Sun Dec 10, 2023 6:58 pm, edited 18 times in total.
"How's the despair?"