--flipp525 wrote:Any alternate opinions on 'Suspect'? I'm interested.
I haven't seen this in a number of years, but I recall liking it a lot.
It came out the same year as Moonstruck proving Cher could have had a long career as a "serious" actress if she had chosen to go that route. I believe it was filmed after Moonstruck but released first.
It was written by Eric Roth (Forrest Gump, Munich, The Good Shepherd, The Curious Case of Benjamin Button) and directed by Peter Yates (Bullitt, Breaking Away, The Dresser, The Run of the Country).
Is there any director of the last forty years with as erratic a career as Yates? In addition to the fondly remembered films mentioned above he also gave us the hapless John and Mary, the hopeless Eyewitness, the dismal Curtain Call and the dreary TV remake of A Separate Peace.
--Reza wrote:Deconstructing Harry (Woody Allen, 1992) 7/10
The plot is basically built around one-liners. Had forgotten how amusingly foul mouthed the script is. Kirstey Alley and Judy Davis are very funny as the two hysterical females in Allen's life while Hazel Goodman is also very funny as the intelligent and contrastingly (as compared to all the other female characters in the film) calm hooker.
The much maligned Richard Benjamin is also around in great randy form.
Actually the film is from 1997.
I enjoyed it so much. Right now, the sliding out of focus idea is a recurrent joke in my own life, using the expresion/term quite often.
Edited By Big Magilla on 1241620210
"If you place an object in a museum, does that make this object a piece of art?" - The Square (2017)
Chris and Don: A Love Story (2008) Tina Mascara & Guido Santi 9/10
Beautifully realized documentary about the 34 years relationship of writer Christoper Isherwood & Don Bachardy who was 30 years younger than Isherwood.
The film contains priceless archive footage and I'd think that anyone with an interest in 'old' Hollywood would find the film very interesting.
Edited By Precious Doll on 1236412282
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
Deconstructing Harry (Woody Allen, 1997) 7/10
The plot is basically built around one-liners. Had forgotten how amusingly foul mouthed the script is. Kirstey Alley and Judy Davis are very funny as the two hysterical females in Allen's life while Hazel Goodman is also very funny as the intelligent and contrastingly (as compared to all the other female characters in the film) calm hooker.
The much maligned Richard Benjamin is also around in great randy form.
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)
Seriously brilliant. Colin Farrell, Brendan Gleeson and Ralph Fiennes at the top of their game.
Baby Mama - 3/10
I never would've suspected a film featuring Tina Fey, Amy Poehler, Steve Martin and John Hodgman could be so devoid of jokes. Tina really need to do a ghostwrite of the script.
Nick and Norah's Infinite Playlist (Peter Sollett) 5/10
Colour Me Kubrick (Brian Cook) 5.5/10
Dick (Andrew Fleming) 6/10
Back to School (Alan Metter) 4/10
Basically zero script, all Rodney Dangerfield does is spew one-liners all over the place. Had its charm and some hilarious bits, but pretty underwhelming.
--Big Magilla wrote:The word strange has numerous meanings:
1. unusual, extraordinary, or curious; odd; queer: a strange remark to make.
2. estranged, alienated, etc., as a result of being out of one's natural environment: In Bombay I felt strange.
3. situated, belonging, or coming from outside of one's own locality; foreign: to move to a strange place; strange religions.
4. outside of one's previous experience; hitherto unknown; unfamiliar: strange faces; strange customs.
5. unaccustomed to or inexperienced in; unacquainted (usually fol. by to): I'm strange to this part of the job.
Yeah, sorry.. I didn't mean odd or weird, but extraordinary, curious...