Ennio Morricone Tribute
Am I the only one who felt that, having the Academy orchestra play Morricone's themes wasn't always the best way to showcase them? A big part of Morricone's innovation, though perhaps less and less as his career progressed, was the thought he put into the way they would be recorded. The Good, the Bad and the Ugly and Days of Heaven in particular depend on a very particular sound to make their full impact, and the orchestra really blanded them out. That was my reaction after a single listen, anyway.
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He doesn't speak Italian well - though of course he lived in Italy for a long time in the past. He can probably understand it vaguely, but the translation wasn't very subtle - he completely missed Morricone's bit about "music and its estetic" (though I'm not sure I am translating it well either!).Dennis Bee wrote:He does not know Italian, unless he learned it since the Leone films.
So many wonderful scores to choose from, and some which they picked aren't among his best.
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Exactly, how unnecesary a moment can be? just watch Celine's performance in order to know so...dws1982 wrote:Celine Dion wasn't as dreadful as I thought she'd be. Still, the whole thing would've been better without the song.
On the other hand, the clips of its films with its corresponding score satisfied me very deeply, actually a I cried a little while hearing the Oboe tune from The Mission...
"If you place an object in a museum, does that make this object a piece of art?" - The Square (2017)
dws1982 wrote:OscarGuy wrote:I wonder if this is the first time an acceptance speech has been given in a foreign language on the show?
Andrzej Wajda gave his speech in Polish when he got the honorary award, although his speech was subtitled.
Ditto Kurosawa and Antonioni, who had interpreters on stage with them.
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