USC Scripter Nominees
- OscarGuy
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The winner was announced to be the all-living No Country for Old Men scribes...shock there (who actually thought they'd ignore the opportunity to recognize Cormac McCarthy? It's not like Upton Sinclair's still alive to accept the award).
Wesley Lovell
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"Any society that would give up a little liberty to gain a little security will deserve neither and lose both." - Benjamin Franklin
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dws1982 wrote:Into the Wild is one that I can't get my finger on in terms of Oscar prospects.
Honestly, there are a lot of films this year I feel like I can't get my finger on. The only two I feel confident about are No Country for Old Men (with the question mark being if Jones can join the film's nomination total) and Michael Clayton (three acting nods and the script are safe, I still think Picture is a good bet too.)
I totally agree with dws's take on Into the Wild.
Atonement could be the nomination leader or miss nods for all of its cast and director.
There Will Be Blood could be this year's Thin Red Line (doing WAAY better than anyone expected) or this year's Far From Heaven (some categories can't be ignored...but a lot can).
Sweeney Todd's tech nods seem safe. But can it nab Picture, Director, Actor, and Actress, or will it experience an Evita-like Oscar nod morning after Globe success?
American Gangster could pick up Picture, Director, Actor, Supporting Actress, and Screenplay spots. Or it could miss them all.
Will Juno be limited to Actress & Screenplay slots? Or will the Little Miss Sunshine crowd push this little underdog farther than seems possible at this point?
How far can The Diving Bell and the Butterfly go?
How deep is the love for Lars and the Real Girl, Eastern Promises, and Elizabeth 2 (all films most of thought were D.O.A. a while ago)?
Can Amy Ryan possibly claw her way into the Supporting Actress lineup? (Okay, I kid. It's not ALL up in the air...)
Edited By The Original BJ on 1199428640
Into the Wild is one that I can't get my finger on in terms of Oscar prospects. It could potentially be the leader on nominations day, since Atonement seems to be fading, No Country doesn't seem poised to rake in a lot of tech nominations, and especially given the way we've seen lower than normal totals in recent years--if all of its contending categories pan out, it could bet Picture, Director, Actor, Supporting Actor/Actress, Screenplay, Cinematography, Score, Song (x2), and maybe even a surprise mention for Editing if it's really well-liked by the Academy. And yet, I can't think of a single category where I'd call it a lock for the nomination. There aren't usually locks in the Song category; Holbrook seems likely, but I could see him getting edged out; and so on.
I'd say the most likely scenario for Into the Wild though, is somewhere around 5-7 nominations. I do think it'll make the Best Picture lineup, mainly because the field seems to be thinning considerably--Atonement may not make it; Sweeney Todd has not exactly lit up the box-office; There Will Be Blood seems very divisive.
I'd say the most likely scenario for Into the Wild though, is somewhere around 5-7 nominations. I do think it'll make the Best Picture lineup, mainly because the field seems to be thinning considerably--Atonement may not make it; Sweeney Todd has not exactly lit up the box-office; There Will Be Blood seems very divisive.
- Sonic Youth
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I may eat my words after the guilds next week, but all I see are acting nods. It hadn't received any substantial precursor support until that freak day at the SAGs.
And I'm holding on to Zodiac for as long as I can. Personal preference.
Edited By Sonic Youth on 1199421950
And I'm holding on to Zodiac for as long as I can. Personal preference.
Edited By Sonic Youth on 1199421950
"What the hell?"
Win Butler
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- Sonic Youth
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Why wasn't it eligible? Does the source have to be American, or originally in the English language?anonymous wrote:I think Zodiac will be bumped at the Oscars by The Diving Bell and The Butterfly which wasn't eligible here.
"...it is the weak who are cruel, and...gentleness is only to be expected from the strong." - Leo Reston
"Cruelty might be very human, and it might be cultural, but it's not acceptable." - Jodie Foster
"Cruelty might be very human, and it might be cultural, but it's not acceptable." - Jodie Foster
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Ah...my alma mater.
Very good list this year (though, of course, it would have been even greater had The Assassination of Jesse James been on it.) Nice to see Zodiac bump less impressive late-year efforts like The Kite Runner and Charlie Wilson's War.
Was Away From Her eligible? Can films based on short stories compete here, or just novels?
Very good list this year (though, of course, it would have been even greater had The Assassination of Jesse James been on it.) Nice to see Zodiac bump less impressive late-year efforts like The Kite Runner and Charlie Wilson's War.
Was Away From Her eligible? Can films based on short stories compete here, or just novels?
I'd say they were less worthy, not only of Atonement or No Country, but also of, say, Away From Her, The Assassination of Jesse James..., The Diving Bell and the Butterfly or even Fantastic Four 2.Sonic Youth wrote:Penelope wrote:but Into the Wild and Zodiac are middle-brow entries at best.
Which doesn't tell me they're less worthy.
"...it is the weak who are cruel, and...gentleness is only to be expected from the strong." - Leo Reston
"Cruelty might be very human, and it might be cultural, but it's not acceptable." - Jodie Foster
"Cruelty might be very human, and it might be cultural, but it's not acceptable." - Jodie Foster
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