Re: Best Screenplay Poll
Posted: Sat Jul 02, 2022 12:51 pm
In Best Original Screenplay:
The biggest flaw of all of these films is on a writing level. Belfast doesn't get consideration from me. It's just a pointless scribble of a film. Don't Look Up wears out its welcome, never figures what it's trying to say, and just plain isn't funny. King Richard is perfectly competent but would take an even worse field to come out on top, leaving two films standing: Licorice Pizza and The Worst Person in the World. Mister Tee almost convinces me of the merits of the second half of Paul Thomas Anderson's occasionally quite funny coming-of-age rom com. To its credit, it has very funny scenes. But I'm going to cast my vote for The Worst Person in the World, which is flawed (it never figures out who Julie is) but gave me the fullest experience and fresh enjoyment of my favorite genre.
In Best Adapted Screenplay:
It's between Drive My Car and The Power of the Dog, the latter could've used a little more meat on the bone (especially at the end) while the former perhaps could've used a bit less. Because Jane Campion has my vote for Best Director, I'll give Drive My Car its due here. Besides, it's a richer, more writerly achievement.
The biggest flaw of all of these films is on a writing level. Belfast doesn't get consideration from me. It's just a pointless scribble of a film. Don't Look Up wears out its welcome, never figures what it's trying to say, and just plain isn't funny. King Richard is perfectly competent but would take an even worse field to come out on top, leaving two films standing: Licorice Pizza and The Worst Person in the World. Mister Tee almost convinces me of the merits of the second half of Paul Thomas Anderson's occasionally quite funny coming-of-age rom com. To its credit, it has very funny scenes. But I'm going to cast my vote for The Worst Person in the World, which is flawed (it never figures out who Julie is) but gave me the fullest experience and fresh enjoyment of my favorite genre.
In Best Adapted Screenplay:
It's between Drive My Car and The Power of the Dog, the latter could've used a little more meat on the bone (especially at the end) while the former perhaps could've used a bit less. Because Jane Campion has my vote for Best Director, I'll give Drive My Car its due here. Besides, it's a richer, more writerly achievement.