Re: One Night in Miami...
Posted: Tue Feb 23, 2021 7:58 pm
This was very well-acted, intelligently written, and, considering the limitation of a mostly one-set show, directed with enough visual variety. But for this to be viewed as one of the year's best movies tells me it's a field so limp as to not be worth taking seriously. This is really just an anecdote -- nothing momentous emerges as a result of the evening, unless you view Sam Cooke releasing "Change is Gonna Come" as a major event in anyone's life. It's pleasant to watch, and feels true to life, but it's just an actor's vehicle, and a tiny one, at that.
I, like Sabin, found Malcolm X the most interesting character, largely because this film took a very different approach from Spike Lee's film. With Denzel in the role, Malcolm couldn't help but come across as some messianic prophet. As Ben-Adir plays him, he's a borderline nerd, with glasses to match. The caricature of Malcolm that was swallowed by many whites at the time was of a fearsome, threatening radical. This film makes the case that, to his black friends, he was a noodge: the guy who kept reminding them they weren't doing enough, that nothing was going to change if they glided through life and didn't take risks. The fact that these three companions did take life-steps (however small) following this night gives the film whatever propulsion it has.
I still don't think it amounts to that much, which the film seems to understand: an end-card brings up Malcolm's murder the following year in a seeming attempt to lend retroactive gravitas. (I note they stayed away from Sam Cooke's even-earlier death; it's hard to fit that into any noble story.)
I don't want to come down hard on the film. As I say, it's well done, and I could be fine with acting nominations for, especially, Ben-Adir and Leslie Odom Jr. (for both performance and song). It's just, to me, symbolic of a year where second-tier efforts are being moved up to the main stage because the competition was unavoidably thin.
I, like Sabin, found Malcolm X the most interesting character, largely because this film took a very different approach from Spike Lee's film. With Denzel in the role, Malcolm couldn't help but come across as some messianic prophet. As Ben-Adir plays him, he's a borderline nerd, with glasses to match. The caricature of Malcolm that was swallowed by many whites at the time was of a fearsome, threatening radical. This film makes the case that, to his black friends, he was a noodge: the guy who kept reminding them they weren't doing enough, that nothing was going to change if they glided through life and didn't take risks. The fact that these three companions did take life-steps (however small) following this night gives the film whatever propulsion it has.
I still don't think it amounts to that much, which the film seems to understand: an end-card brings up Malcolm's murder the following year in a seeming attempt to lend retroactive gravitas. (I note they stayed away from Sam Cooke's even-earlier death; it's hard to fit that into any noble story.)
I don't want to come down hard on the film. As I say, it's well done, and I could be fine with acting nominations for, especially, Ben-Adir and Leslie Odom Jr. (for both performance and song). It's just, to me, symbolic of a year where second-tier efforts are being moved up to the main stage because the competition was unavoidably thin.