Re: Best Screenplay 1971
Posted: Wed Jun 03, 2015 3:41 pm
Original is a no-brainer: Sunday Bloody Sunday.
The Adapted category is wonderful. Among the best line-ups ever. Even The French Connection is deserving by itself to me, though admittedly not with this amazing competition.
The Last Picture Show shows ordinary people's dryness, tediousness and illusions as few movies do.
The Conformist is a fascinating, multi-layered insight. Alberto Moravia's masterful novel is cleverly developed with ashtonishing visual compositions and a new way of understanding its ending. Jean Louis Trintignant and Dominique Sanda deserved the Oscar. And her face's beauty is even better enhanced in that sad Finzi Contini garden, along with angels' herald Helmut Berger. The feeling of nostalgia and unrequited love is beautifully displayed.
And A Clockwork Orange is my personal Bronze Kubrick. It's nearly impossible to imagine what needs to be improved in that script.
It's a difficult choice, but my final vote goes to Bernardo Bertolucci's unforgettable accomplishment.
The Adapted category is wonderful. Among the best line-ups ever. Even The French Connection is deserving by itself to me, though admittedly not with this amazing competition.
The Last Picture Show shows ordinary people's dryness, tediousness and illusions as few movies do.
The Conformist is a fascinating, multi-layered insight. Alberto Moravia's masterful novel is cleverly developed with ashtonishing visual compositions and a new way of understanding its ending. Jean Louis Trintignant and Dominique Sanda deserved the Oscar. And her face's beauty is even better enhanced in that sad Finzi Contini garden, along with angels' herald Helmut Berger. The feeling of nostalgia and unrequited love is beautifully displayed.
And A Clockwork Orange is my personal Bronze Kubrick. It's nearly impossible to imagine what needs to be improved in that script.
It's a difficult choice, but my final vote goes to Bernardo Bertolucci's unforgettable accomplishment.