Worst "best picture" winner of the decade
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i can't bring myself to go through another round of Titanic... heck, i didn't even manage to complete the film in my first viewing... makes me wonder how did it manage to have legs and gross so much at the box-office... guess majority wins afterall...
With a Southern accent...
"Don't you dare lie to me!" and...
"You threaten my congeniality, you threaten me!"
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"You shouldn't be doing what you're doing. The truth is enough!"
"Are you and Perry?" ... "Please, Nelle."
"Don't you dare lie to me!" and...
"You threaten my congeniality, you threaten me!"
-------
"You shouldn't be doing what you're doing. The truth is enough!"
"Are you and Perry?" ... "Please, Nelle."
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For me, Braveheart hasn't aged very well. I have a lot of affection towards it because it was the first "adult" movie that I had ever seen. My father took me to the Cine Capri in Phoenix to see it and I was blown away, completely obsessed with it for years. My Oscar fanaticism took root when I just couldn't let up to everybody around me that it deserved to win every Oscar imaginable. I railed on Babe without having seen it and when Braveheart won, it was cathartic.
Babe shoulda had it.
There are many problems with Braveheart, MW. First and foremost, the film is acted to the point of hyperventilation. It seems like a Monty Python sketch whenever the characters are inside. The supporting characters are fine but pretty one-dimensional. And I have to bring up the whole A Beautiful Mind-clause in that A) it's okay for a film to play loose with facts, but B) not when it prevents the film from being more compelling. Gibson's affair with Sophie Marceau's princess A) never happened, but B) detracts from the love Wallace had for his wife. I don't mind if a movie fibs for greater entertainment value but this serves no purpose other than to bring sex into the final stretch. And so much else of the film never even began to happen that it's hard to forgive its excesses.
The battle scenes are good and the film doesn't seem three hours, so that's nice. Too much of Gibson's obnoxious worldview shines in (homophobia, masochism, martyrdom), so I hate to say it but the guy's compelling throughout. It's not my pick for worst choice, but it wasn't a good moment for the Academy.
Babe shoulda had it.
There are many problems with Braveheart, MW. First and foremost, the film is acted to the point of hyperventilation. It seems like a Monty Python sketch whenever the characters are inside. The supporting characters are fine but pretty one-dimensional. And I have to bring up the whole A Beautiful Mind-clause in that A) it's okay for a film to play loose with facts, but B) not when it prevents the film from being more compelling. Gibson's affair with Sophie Marceau's princess A) never happened, but B) detracts from the love Wallace had for his wife. I don't mind if a movie fibs for greater entertainment value but this serves no purpose other than to bring sex into the final stretch. And so much else of the film never even began to happen that it's hard to forgive its excesses.
The battle scenes are good and the film doesn't seem three hours, so that's nice. Too much of Gibson's obnoxious worldview shines in (homophobia, masochism, martyrdom), so I hate to say it but the guy's compelling throughout. It's not my pick for worst choice, but it wasn't a good moment for the Academy.
"How's the despair?"
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What's with all the hatred towards "Braveheart"? I think that of all the best picture winners of the '90s, "Braveheart" easily ranks second for me behind "Schindler's List."
"Young men make wars and the virtues of war are the virtues of young men: courage and hope for the future. Then old men make the peace, and the vices of peace are the vices of old men: mistrust and caution." -- Alec Guinness (Lawrence of Arabia)
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I can't believe The English Paient has more votes than Dances with Wolves and Titanic, both formulaic films... of course, I'm on The English Patient side...
As for 1988, I believe Dangerous Liaisons, though not a perfect film, it's by far better than both Rain Man and Mississippi Burning. I still see it and it catches me totally, Close, Pfeiffer and Malkovich can't be better, perfect score, perfect art direction and costume design, not to mention the great and difficult but ultimately accomplished work of adapting that novel... my choice for that year.
My vote on this was to Braveheart, not even when it was released and I was 15 years old, I liked that...
As for 1988, I believe Dangerous Liaisons, though not a perfect film, it's by far better than both Rain Man and Mississippi Burning. I still see it and it catches me totally, Close, Pfeiffer and Malkovich can't be better, perfect score, perfect art direction and costume design, not to mention the great and difficult but ultimately accomplished work of adapting that novel... my choice for that year.
My vote on this was to Braveheart, not even when it was released and I was 15 years old, I liked that...
"If you place an object in a museum, does that make this object a piece of art?" - The Square (2017)
I disagree with your view of Mississippi Burning. The one major criticism towards the film was characterizing a white FBI man as the good guy in the film. Yet I don't have a problem with Gene Hackman being the "hero" in the film. Sure, they hit us a little heavy at times, but the message is a sincere one and the film is one of the better titles from 1988. It is a powerhouse on the acting front and the writing was actually quite good.
Oh, and yes, people actually liked Kevin Costner. He is a good actor whose more recent roles have not given him the opportunity to shine as he did in Dances With Wolves or A Perfect World (my pick for best male performance of 1993).
Oh, and yes, people actually liked Kevin Costner. He is a good actor whose more recent roles have not given him the opportunity to shine as he did in Dances With Wolves or A Perfect World (my pick for best male performance of 1993).
"Because here’s the thing about life: There’s no accounting for what fate will deal you. Some days when you need a hand. There are other days when we’re called to lend a hand." -- President Joe Biden, 01/20/2021
Well, I think Rain Man is decent enough but not as good as Mississippi Burning?!? That movie is terrible, just an ignorant white man's view of the South full of bad dialogue and dull direction. I don't mind a sledgehammer approach in something like Midnight Express where you have to feel the pain, but Mississippi Burning has the mentality of an action movie.
"How's the despair?"
oops, voted the wrong way; I voted the best for Schindler's List, not worst! The English Patient may be the worst, simply because it drags on much longer than necessary (although I admired much of it) and Rain Man was entertaining but not better than Mississippi Burning.
"Because here’s the thing about life: There’s no accounting for what fate will deal you. Some days when you need a hand. There are other days when we’re called to lend a hand." -- President Joe Biden, 01/20/2021
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