Art Directors Guild Nominations

The Original BJ
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Post by The Original BJ »

flipp525 wrote:I would've tossed a bone to Never Let Me Go for its seamless transition from 70's to 80's to 90's. The world of Hailsham was particularly evocative in its design. Truth be told, though, I'd probably throw awards in most categories to that film.
You and me both, flipp.

What is most impressive about the art direction in Never Let Me Go is the way it manages to feel both of-the-past and slightly futuristic, which really creates a strong feeling that we are experiencing an alternate history.
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Post by Hollywood Z »

rolotomasi99 wrote:
Hollywood Z wrote:Contemporary Film

127 HOURS Production Designer: Suttirat Larlarb
I have not seen this film yet, but I thought most of it took place in a desert? Was the rock fake or something? What part of it was a set?
Yup, the cavern sets were fake so the environment could be controlled.

Here's what they did


You get the feeling the Contemporary category amounts to "our favorite non-period movies of the year"?


Only every year I read the list of Contemporary nominees.

Unless I'm blanking, there's nothing missing here from what most of us have considered the prime Oscar art direction contest.


I don't think so, as right now, I'm predicting:

- Alice in Wonderland
- Inception
- The King's Speech
- Shutter Island
- True Grit

But last year, they only called 2 of the 5 nominees, leaving out The Imaginarium of Dr. Parnassus, Nine and The Young Victoria and the year before that, they didn't nominate The Duchess and Revolutionary Road. So, from what it sounds like, the best way to call this would be to wait for the Costume Designer's guild to nominate their choices and see how closely they coincide.
"You are what you love, not what loves you." - Nicholas Cage; Adaptation
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Post by flipp525 »

I would've tossed a bone to Never Let Me Go for its seamless transition from 70's to 80's to 90's. The world of Hailsham was particularly evocative in its design. Truth be told, though, I'd probably throw awards in most categories to that film.
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Post by rolotomasi99 »

Hollywood Z wrote:Contemporary Film

127 HOURS Production Designer: Suttirat Larlarb
I have not seen this film yet, but I thought most of it took place in a desert? Was the rock fake or something? What part of it was a set?
"When it comes to the subject of torture, I trust a woman who was married to James Cameron for three years."
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Post by Mister Tee »

You get the feeling the Contemporary category amounts to "our favorite non-period movies of the year"? It's almost a way for this Guild to stick its paw into the central Oscar race even when its primary guidelines favor the sorts of films named in the first two lists.

Unless I'm blanking, there's nothing missing here from what most of us have considered the prime Oscar art direction contest.
Hollywood Z
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Post by Hollywood Z »

And here it is....


INCEPTION, SHUTTER ISLAND, TRON: LEGACY: Art Directors Guild Nominations
Andre Soares | Jan 5, 2011

NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN FOR A FEATURE FILM IN 2010:

Period Film

TRUE GRIT Production Designer: Jess Gonchor

THE KING'S SPEECH Production Designer: Eve Stewart

SHUTTER ISLAND Production Designer: Dante Ferretti

ROBIN HOOD Production Designer: Arthur Max

GET LOW Production Designer: Geoffrey Kirkland



Fantasy Film

ALICE IN WONDERLAND Production Designer: Robert Stromberg

HARRY POTTER AND THE DEATHLY HALLOWS PART 1 Production Designer: Stuart Craig

INCEPTION Production Designer: Guy Hendrix Dyas

TRON: LEGACY Production Designer: Darren Gilford

THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER Production Designer: Barry Robison



Contemporary Film

BLACK SWAN Production Designer: Therese DePrez

THE SOCIAL NETWORK Production Designer: Donald Graham Burt

THE FIGHTER Production Designer: Judy Becker

THE TOWN Production Desinger: Sharon Seymour

127 HOURS Production Designer: Suttirat Larlarb



NOMINEES FOR EXCELLENCE IN PRODUCTION DESIGN IN TELEVISION FOR 2010:

Single Camera Television Series

MAD MEN
Episode: Public Relations Production Designer: Dan Bishop

TRUE BLOOD
Episode: Trouble Production Designer: Suzuki Ingerslev

THE TUDORS
Episode: 407 Production Designer: Tom Conroy

24
Episode: 4:00 P.M. – 5:00 P.M. Production Designer: Carlos Barbosa

GLEE
Episode: Britney/Brittany Production Designer: Mark Hutman



Television Movie or Mini-Series

SECRETS IN THE WALL Production Designer: Robb Wilson King

REVENGE OF THE BRIDESMAIDS Production Designer: Marcia Hinds



Episode of a Half Hour Single-Camera Television Series

MODERN FAMILY
Episode: Halloween Production Designer: Richard Berg

30 ROCK
Episode: Live Show Production Designer: Keith Raywood
Teresa Mastropierro
Peter Baran

OUTSOURCED
Episode: Home For the
Diwalidays Production Designer: Joseph P. Lucky

UNITED STATES OF TARA
Episode: Trouble Junction Production Designer: Cabot McMullen

COMMUNITY
Episode: Basic Rocket Science Production Designer: Derek R. Hill
"You are what you love, not what loves you." - Nicholas Cage; Adaptation
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Post by Hollywood Z »

While I'm still trying to find the other nominees, here's the article that was posted today:


Art Director Guild Announces Nominations
10:50 PM 1/4/2011 by Gregg Kilday

The King's Speech,' 'Inception,' 'The Social Network' were nominated in all three categories.

As awards season heats up, the Art Directors Guild announced the nominees for its 15th annual Excellence in Production Design Awards on Wednesday morning.

The King's Speech, Inception and The Social Network were among the movies that secured noms in the three film categories.

The ADG has also announced that it will present its Lifetime Achievement Award to production and costume designer Patricia Norris.

Additionally, it will induct Alexander Golitzen, Albert Heschong and Eugene Lourie into its Hall of Fame.

The award winners will be announced Feb. 5 at a black-tie dinner, hosted by Paula Poundstone, at the Beverly Hilton Hotel.
"You are what you love, not what loves you." - Nicholas Cage; Adaptation
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