Best Actress 2009
Re: Best Actress 2009
This is a horrible lineup. Bullock could be, at best, likable (as she is in some of her comedies), but I'm still sincerely puzzled as to how this performance, in this particular non-movie, this win, even happened. It's really the Academy's lowest point.
I can't for the life of me see why Streep deserves a win other than for the paucity of candidates here – it's a totally light performance, and I don't think she ever "becomes" Julia Child (though, in her defense, the film never allows her to).
Mulligan's stardom is one I absolutely don't get, and Sabin is spot-on in his criticism of her – I don't for a second believe that this innately perceptive girl would be so naive as to fall for that man. Star-making, luminous, heartbreaking – I just don't see it.
In Sofya Tolstoy, Helen Mirren gets a plum role that makes use of her interesting, mature sexuality. It's nice work.
Hers is very much a passive performance, but watching Sidibe react so organically to the characters around her (many of whom I think exist purely for sensationalist purposes in this bloated, overdirected film) feels more real than anything else in the film. I haven't really been impressed by her attempts at being a comedienne, but I can't deny that she was very fine in this role.
I'm not sure who good alternates are – I was really pulling for Cornish, but Bright Star lacked much idiosyncrasy. The Stoning of Soraya M is one of those movies I genuinely despised so I can't really consider Aghdashloo.
I can't for the life of me see why Streep deserves a win other than for the paucity of candidates here – it's a totally light performance, and I don't think she ever "becomes" Julia Child (though, in her defense, the film never allows her to).
Mulligan's stardom is one I absolutely don't get, and Sabin is spot-on in his criticism of her – I don't for a second believe that this innately perceptive girl would be so naive as to fall for that man. Star-making, luminous, heartbreaking – I just don't see it.
In Sofya Tolstoy, Helen Mirren gets a plum role that makes use of her interesting, mature sexuality. It's nice work.
Hers is very much a passive performance, but watching Sidibe react so organically to the characters around her (many of whom I think exist purely for sensationalist purposes in this bloated, overdirected film) feels more real than anything else in the film. I haven't really been impressed by her attempts at being a comedienne, but I can't deny that she was very fine in this role.
I'm not sure who good alternates are – I was really pulling for Cornish, but Bright Star lacked much idiosyncrasy. The Stoning of Soraya M is one of those movies I genuinely despised so I can't really consider Aghdashloo.
Re: Best Actress 2009
ACTRESS
Zooey Deschanel, (500) Days of Summer
Melanie Laurent, Inglourious Basterds
**Carey Mulligan, An Education**
Maya Rudolph, Away We Go
Gabourey Sidibe, Precious
Zooey Deschanel, (500) Days of Summer
Melanie Laurent, Inglourious Basterds
**Carey Mulligan, An Education**
Maya Rudolph, Away We Go
Gabourey Sidibe, Precious
Re: Best Actress 2009
My choices:
1. Birgit Minichmayr, in "Everyone Else"
2. Carey Mulligan, in "An Education"
3. Rifka Lodeizen, in "Can Go Through Skin"
4. Vera Farmiga, in "Orphan"
5. Sylvie Testud, in "Lourdes"
6. Bae Doona, in "Air Doll"
7. Nina Ivanišin, in "Slovenian Girl"
8. Charlotte Gainsbourg, in "Antichrist"
9. Lotte Verbeek, in "Nothing Personal"
10. Gabourey Sidibe, in "Precious"
1. Birgit Minichmayr, in "Everyone Else"
2. Carey Mulligan, in "An Education"
3. Rifka Lodeizen, in "Can Go Through Skin"
4. Vera Farmiga, in "Orphan"
5. Sylvie Testud, in "Lourdes"
6. Bae Doona, in "Air Doll"
7. Nina Ivanišin, in "Slovenian Girl"
8. Charlotte Gainsbourg, in "Antichrist"
9. Lotte Verbeek, in "Nothing Personal"
10. Gabourey Sidibe, in "Precious"
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From Mary Pickford to Greer Garson to Elizabeth Taylor to Diane Keaton to Helen Mirren, the Best Actress Oscar, as have most acting Oscars, has been given as frequently for personal popularity as it has for work well done. Sometimes the two coincide, sometimes they don't.
I don't think anyone would call Sandra Bullock's performance in The Blind Side great acting. It was a popular performance by a popular actress in a popular film in a year when most of the really good performances were in films few people, including Academy members, saw.
Among those that were overlooked: Tilda Swinton in Julia; Shohreh Aghdashloo in The Stoning of Soraya M.; Hiam Abbas in Lemon Tree; Nisreen Faour in Amreeka; Abbie Cornish in Bright Star; Michelle Monaghan in Trucker and Penelope Cruz in Broken Embraces.
Among the actual nominees, I liked Helen Mirren's portrayal of the histrionic Sofya Tolstoy in The Last Station even more than Meryl Streep's perfectly delightful Julia Child in Julie & Julia, though either would have been a decent choice. Indeed, Streep, as we all know, surprisingly won the lion's share of precursors and was Bullock's only real competition as Oscar season drew to its inevitable conclusion.
Of the two newcomers, I liked Gabourey Sidibe's victim of parental abuse in Precious more than I did Carey Mulligan's spoiled schoolgirl in An Education, but they were both decidedly also-rans this year even though Mulligan's BAFTA victory seem to give her last minute momentum.
Without Swinton or Aghdashloo in the race, my vote goes to Mirren.
I don't think anyone would call Sandra Bullock's performance in The Blind Side great acting. It was a popular performance by a popular actress in a popular film in a year when most of the really good performances were in films few people, including Academy members, saw.
Among those that were overlooked: Tilda Swinton in Julia; Shohreh Aghdashloo in The Stoning of Soraya M.; Hiam Abbas in Lemon Tree; Nisreen Faour in Amreeka; Abbie Cornish in Bright Star; Michelle Monaghan in Trucker and Penelope Cruz in Broken Embraces.
Among the actual nominees, I liked Helen Mirren's portrayal of the histrionic Sofya Tolstoy in The Last Station even more than Meryl Streep's perfectly delightful Julia Child in Julie & Julia, though either would have been a decent choice. Indeed, Streep, as we all know, surprisingly won the lion's share of precursors and was Bullock's only real competition as Oscar season drew to its inevitable conclusion.
Of the two newcomers, I liked Gabourey Sidibe's victim of parental abuse in Precious more than I did Carey Mulligan's spoiled schoolgirl in An Education, but they were both decidedly also-rans this year even though Mulligan's BAFTA victory seem to give her last minute momentum.
Without Swinton or Aghdashloo in the race, my vote goes to Mirren.