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Posted: Wed Apr 23, 2008 9:04 pm
by HarryGoldfarb
Big Magilla wrote:The Tin Drum was released theatrically in the U.S. in 1980 and made numerous ten best lists then.
You mean after the Oscar show where it won Best Foreign Language Film?

Posted: Wed Apr 23, 2008 8:48 pm
by Big Magilla
HarryGoldfarb wrote:Don't know where to place this... I've just seen The Tin Drum... all I can say is that while foreign films usually are great to show us different kinds of movie-making, different views on social issues and original stories, way far from the standard Hollywood ones, this film is weird to say the least. I haven't read the Grass book it is based on, I guess it should be a better reading expierence (magic realism almost always works better on paper). The source surely is a hard one to transfer into a film, and probably the director mastered it... but I actually wasn't moved by the film, I didn't understand what was the point on telling this specific story... A good cast work, special the adult triangle and a magnificient score by Jarre (it could have been better without the eventual annoying anachronic electro-sound)... Overall it was good, but weirder than good. Maybe I missed something but it ain't necessarily a film I'd like to watch again soon...

Was this the favorite for Foreign Language Film? I mean, after its victory on Cannes surely it was...
The Tin Drum was released theatrically in the U.S. in 1980 and made numerous ten best lists then.

Posted: Wed Apr 23, 2008 8:47 pm
by Big Magilla
criddic3 wrote:Didn't they release a condensed version to theaters of Salem's Lot?
Yes.

Posted: Wed Apr 23, 2008 7:25 pm
by HarryGoldfarb
Don't know where to place this... I've just seen The Tin Drum... all I can say is that while foreign films usually are great to show us different kinds of movie-making, different views on social issues and original stories, way far from the standard Hollywood ones, this film is weird to say the least. I haven't read the Grass book it is based on, I guess it should be a better reading expierence (magic realism almost always works better on paper). The source surely is a hard one to transfer into a film, and probably the director mastered it... but I actually wasn't moved by the film, I didn't understand what was the point on telling this specific story... A good cast work, special the adult triangle and a magnificient score by Jarre (it could have been better without the eventual annoying anachronic electro-sound)... Overall it was good, but weirder than good. Maybe I missed something but it ain't necessarily a film I'd like to watch again soon...

Was this the favorite for Foreign Language Film? I mean, after its victory on Cannes surely it was...

Posted: Sun Mar 25, 2007 1:48 pm
by criddic3
Didn't they release a condensed version to theaters of Salem's Lot?

Posted: Thu Oct 06, 2005 12:58 am
by rain Bard
Eric wrote:I haven't seen it yet... I am so bad.
No worse than me. The only one on your list I have seen is The Brood. Keep hoping Stalker and Quintet might grace a nearby cinema screen, but I may end up waiting a loooong time.

Posted: Wed Oct 05, 2005 8:12 pm
by Eric
rain Bard wrote:All better than Popul Vuh's Nosferatu, Eric?

I haven't seen it yet... I am so bad. (Rather, I should say I haven't heard it, since I haven't "seen" The Brood yet, either, but have heard the score.)

And, yeah, Salem's Lot is a TV movie (my rules are there are no rules, pretty much). That's why I like Sukman's score for it so much. It plays up the novel's Peyton Place undertones.

Posted: Wed Oct 05, 2005 7:36 pm
by Damien
Eric wrote:Salem's Lot, Harry Sukman
Wasn't Salem's Lot a TV movie?

Posted: Wed Oct 05, 2005 6:07 pm
by rain Bard
All better than Popul Vuh's Nosferatu, Eric?

Posted: Wed Oct 05, 2005 4:41 pm
by Eric
Best Original Score
The Brood, Howard Shore
Cannibal Holocaust, Riz Ortolani
Quintet, Tom Pierson
Salem's Lot, Harry Sukman
Stalker, Eduard Artemyev

Posted: Wed Sep 14, 2005 12:58 am
by paperboy
--Mack Ten wrote:Best Supporting Actor

Marlon Brando ... Apocalypse Now *
Dennis Christopher ... Breaking Away
Paul Dooley ... Breaking Away
Robert Duvall ... Apocalypse Now
Frederic Forrest ... The Rose

Wasn't Dennis Christopher the lead in 'Breaking Away'?




Edited By Big Magilla on 1244993653

Posted: Tue Sep 13, 2005 9:49 pm
by Jim20
PICTURE
**All That Jazz**
Apocalypse Now
Breaking Away
Kramer vs. Kramer
Manhattan

ACTOR
Dustin Hoffman, Kramer vs. Kramer
**Klaus Kinski, Nosferatu: Phantom of the Night**
Jack Lemmon, The China Syndrome
Peter Sellers, Being There
Roy Scheider, All that Jazz

ACTRESS
**Sally Field, Norma Rae**
Jane Fonda, The China Syndrome
Shirley MacLaine, Being There
Marsha Mason, Chapter Two
Bette Midler, The Rose

SUPPORTING ACTOR
Paul Dooley, Breaking Away
Melvin Douglas, Being There
**Robert Duvall, Apocalypse Now**
Frederic Forest, The Rose
Justin Henry, Kramer vs. Kramer

SUPPORTING ACTRESS
Jane Alexander, Kramer vs. Kramer
Candice Bergen, Starting Over
Valerie Harper, Chapter Two
**Mariel Hemingway, Manhattan**
Meryl Streep, Kramer vs. Kramer

DIRECTOR
Woody Allen, Manhattan
Robert Benton, Kramer vs. Kramer
Francis Ford Coppola, Apocalypse Now
**Bob Fosse, All that Jazz**
Werner Herzog, Nosferatu: Phantom of the Night

ORIGINAL SCREENPLAY
**All that Jazz**
Breaking Away
The China Syndrome
Manhattan
10

ADAPTED SCREENPLAY
Apocalypse Now
The Black Stallion
**Kramer vs. Kramer**
La Cage aux Folles
Norma Rae

ART DIRECTION
Alien
**All that Jazz**
Apocalypse Now
The China Syndrome
La Cage aux Folles

CINEMATOGRAPHY
All that Jazz
**Apocalypse Now**
The Black Stallion
Manhattan
Nosferatu: Phantom of the Night

COSTUME DESIGN
Agatha
Alien
**All that Jazz**
The Europeans
La Cage aux Folles

FILM EDITING
**All that Jazz**
Alien
Apocalypse Now
Breaking Away
Kramer vs. Kramer

ORIGINAL SCORE
All that Jazz
The Amityville Horror
Breaking Away
**Nosferatu: Phantom of the Night**
Star Trek - The Motion Picture

SOUND
Alien
All that Jazz
**Apocalypse Now**
1941
The Rose

SOUND EFFECTS EDITING
Alien
**Apocalypse Now**
The Black Stallion

VISUAL EFFECTS
**Alien**
Moonraker
1941

All that Jazz - 6 wins (10 nominations)
Apocalypse Now - 4 wins (9 nominations)
Breaking Away - 0 wins (4 nominations)
Kramer vs. Kramer - 1 wins (8 nominations)
Manhattan - 1 win (5 nominations)




Edited By Jim20 on 1256103959

Posted: Fri Apr 01, 2005 12:25 pm
by Mack Ten
Acting only:

1979

Best Supporting Actor

Marlon Brando ... Apocalypse Now *
Dennis Christopher ... Breaking Away
Paul Dooley ... Breaking Away
Robert Duvall ... Apocalypse Now
Frederic Forrest ... The Rose

Best Supporting Actress

Barbara Barrie ... Breaking Away *
Mariel Hemingway ... Manhattan
Shirley MacLaine ... Being There
Vanessa Redgrave ... Yanks
Meryl Streep ... Kramer vs. Kramer

Best Actor

Dustin Hoffman ... Kramer Vs. Kramer
Jack Lemmon ... The China Syndrome *
Roy Scheider ... All That Jazz
Peter Sellers ... Being There
Martin Sheen ... Apocalypse Now

Best Actress

Sally Field ... Norma Rae
Jane Fonda ... The China Syndrome
Bette Midler ... The Rose *
Lee Remick ... The Europeans
Hanna Schygulla ... The Marriage Of Maria Braun

Posted: Sat Mar 26, 2005 3:58 am
by Precious Doll
Best Film

1. La Luna
2. Promises in the Dark
3. The Night, The Prowler
4. The Tin Drum
5. Yanks

Best Director

1. Bernardo Bertolucci, La Luna
2. Volker Schlondorff, The Tin Drum
3. Jerome Hellman, Promises in the Dark
4. Jim Sharman, The Night, The Prowler
5. John Schlesinger, Yanks

Best Actor

1. George C. Scott, Hardcore
2. Peter Sellers, Being There
3. Ben Gazzara, Saint Jack
4. Jeff Bridges, Winter Kills
5. John Frawley, The Night, The Prowler

Best Actress

1. Sally Field, Norma Rae
2. Marsha Mason, Promises in the Dark
3. Bette Midler, The Rose
4. Veronika Papp, Angi Vera
5. Ruth Cracknell, The Night, The Prowler

Best Supporting Actor

1. Terry Jones, Life of Brian
2. Denholm Elliot, Saint Jack
3. Pat Hingle, When You Comin’ Back Red Ryder
4. Melvyn Douglas, Being There
5. Paul Dooley, Breaking Away

Best Supporting Actress

1. Rachel Roberts, Yanks
2. Lisa Eichhorn, Yanks
3. Season Hubley, Hardcore
4. Kathleen Beller, Promises in the Dark
5. Lee Grant, When You Comin’ Back Red Ryder

Best Screenplay

1. Promises in the Dark
2. Yanks
3. Manhattan
4. La Luna
5. Hardcore

Best Screenplay Adaptation

1. The Tin Drum
2. The Night, The Prowler
3. Being There
4. When You Comin’ Back Red Ryder
5. The Tempest

Best Cinematography

1. Hurricane
2. The Tin Drum
3. Apocalypse Now
4. Manhattan
5. La Luna

Best Editing

1. Yanks
2. The Tin Drum
3. The Night, The Prowler
4. Alien
5. All That Jazz

Best Sound

1. Apocalypse Now
2. Alien
3. All That Jazz
4. The Tin Drum
5. The Rose

Best Art Direction

1. Yanks
2. The Tin Drum
3. Alien
4. All That Jazz
5. Quintet

Best Costume Design

1. The Tin Drum
2. All That Jazz
3. Yanks
4. Nosferatu
5. The Tempest

Best Music

1. Alien
2. All That Jazz
3. Yanks
4. Tim
5. The Onion Field

Posted: Wed Mar 16, 2005 7:29 pm
by MCAR
Picture:
Apocalypse Now
Being There
Breaking Away
Manhattan
Picnic At Hanging Rock

Actor:
Dustin Hoffman – Kramer Vs. Kramer
Jack Lemmon – The China Syndrome
Roy Scheider – All That Jazz
*Peter Sellers – Being There*
Michel Serrault – La Cage Aux Folles

Actress:
Sally Field – Norma Rae
Jane Fonda – The China Syndrome
Diane Keaton – Manhattan
Bette Midler – The Rose
Hanna Schygulla – The Marriage Of Maria Braun

Supporting Actor:
Graham Chapman – Monty Python’s The Life Of Brian
Paul Dooley – Breaking Away
Melvyn Douglas – Being There
Robert Duvall – Apocalypse Now
Frederic Forrest – The Rose

Supporting Actress:
Barbara Barrie – Breaking Away
Candice Bergen – Starting Over
Mariel Hemingway – Manhattan
Rachel Roberts – Picnic At Hanging Rock
Meryl Streep – Kramer Vs. Kramer

Director:
*Woody Allen – Manhattan*
Hal Ashby – Being There
Francis Ford Coppola – Apocalypse Now
Peter Weir – Picnic At Hanging Rock
Peter Yates – Breaking Away

Original Screenplay:
*Woody Allen & Marshall Brickman - Manhattan*
Albert Brooks, Monica Johnson & Harry Shearer – Real Life
Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones & Michael Palin – Monty Python’s The Life Of Brian
Rainer Werner Fassbinder, Pea Frohlich & Peter Marthesheimer – The Marriage Of Maria Braun
Steve Tesich – Breaking Away

Adapted Screenplay:
Francis Ford Coppola & John Milius – Apocalypse Now
Marcello Danon, Edouard Molinaro, Jean Poiret & Francis Veber – La Cage Aux Folles
Cliff Green – Picnic At Hanging Rock
Curtis Hanson – The Silent Partner
*Robert C. Jones & Jerzy Kosinski – Being There*

Foreign Film:
*La Cage Aux Folles (France)*
The Marriage Of Maria Braun (Germany)
Soldier Of Orange (The Netherlands)
The Tree Of Wooden Clogs (Italy)
Vengeance Is Mine (Japan)