1953 Oscar Shouldabeens

1927/28 through 1997
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Eric
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Post by Eric »

Also the year of maybe the best goddamned cartoon ever made: Chuck Jones' "Duck Amuck."
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Post by rain Bard »

When I saw a rare 35mm print of it in January 2005, Eddie Muller introduced the film and made the same claim about the UN building location shooting. I remember thinking it was a surprisingly good film as well. Has anyone seen any of the (very few) other films directed by Maxwell Shane? I've heard good things about Nightmare...

Damien this exercise certainly proves that 1953 was a great year. You're in good company in singling out the music of Gate of Hell, which usually gets remembered for its production design only. When Luis Bunuel was part of the Cannes jury that gave the film their top prize that year, he said Akutagawa's score was one of the few examples of film music he could wholeheartedly approve of.

Some notable titles unmentioned in your summary of 1953 include the Earrings of Madame de..., Bellissima, 99 River Street, Mr. Hulot's Holiday, the Bigamist, Monika, the Glenn Miller Story, Gentlemen Prefer Blondes, the Big Heat and Pickup on South Street. Did any of these come close to mentions in your reckoning of the year?
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Post by ITALIANO »

Yes, it's not perfect but it's fascinating, and very well shot. Gassman used to say that making it reminded him of the Italian neorealist movement - not much money maybe, but lots of enthusiasm and "truth". It gave him some hopes about his future in American movies, but that didn't last long - they quickly put him in Sombrero and in Rhapsody. (He came back to America only years later, when Altman called him for A Wedding).

The images of New York as it was back then are rare and wonderful. And I think Gassman even claimed that they were the first crew allowed to shoot into the new UN building - though I don't know if this is true.
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Post by Damien »

ITALIANO wrote:Damien, Vittorio Gassman would be very happy. In any interview he gave, and in his autobiography, he admitted that he was generally ashamed of his American movies, insisted that The Glass Wall was a gem and that he was very proud of that movie and of his performance in it. He just thought that it was impossible to find - in America even more than in Italy - but it seems that this isn't true, since you had the chance of seeing it.
The cable network Turner Classic Movies showed The Glass Wall in 2009. I recorded it and watched it last year. It's especially relevant today because it deals with an "illegal" immigrant.

These were my notes after seeing it: "Unexpectedly good, tight, heartfelt and politically astute noir about an "illegal" immigrant’s attempts to elude a manhunt and stay in New York. It’s got great New York City location footage (mostly Times Square – pre-dating Sweet Smell Of Success by a few years) and a wonderful performance by Gassman, who is both moving, charismatically sensitive and quite sexy. The movie is admirably humane about society’s outcasts, and if the script meanders and has some holes, the film remains atmospheric and often quite fascinating.
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Post by Damien »

Reza wrote:Would be interesting to know what you thought were the worst performances of 1953.
Off the top of my head I would say Robert Wagner in Below The 12 Mile Reef, and Geraldine Page in Hondo.
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Post by Big Magilla »

The Glass Wall was impossible to find until earlier this year when it was released on DVD by Columbia as part of their Bad Girls of Fim Noir Collection, Vol, 1.
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Post by ITALIANO »

Damien, Vittorio Gassman would be very happy. In any interview he gave, and in his autobiography, he admitted that he was generally ashamed of his American movies, insisted that The Glass Wall was a gem and that he was very proud of that movie and of his performance in it. He just thought that it was impossible to find - in America even more than in Italy - but it seems that this isn't true, since you had the chance of seeing it.
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Post by Reza »

I like your choices. I will now look out for Last of the Commanches and Thunder Over the Plains.

Would be interesting to know what you thought were the worst performances of 1953.
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1953 Oscar Shouldabeens - Damien's version

Post by Damien »

I've been immersed in the films of 1953 and here are my picks. I pretty much saw every major release (save Andre de Toth's House of Wax, which I missed the several chances I had to catch it) and plenty of minor ones. Here's what I found (it was a very good year):


BEST PICTURE OF 1953
1. The Band Wagon (Vincente Minnelli)
2. Last Of The Comanches (Andre de Toth)
3. The Story Of Three Loves (Gottfreid Reinhardt; Vincente Minnelli)
4. Tokyo Story (Yasujiro Ozu)
5. I Confess (Alfred Hitchcock)
6. Julius Caesar (Joseph L. Mankiewicz)
7. All I Desire (Douglas Sirk)
8. Thunder Over The Plains (Andre de Toth)
9. Il Vitelloni (Federico Fellini)
10. Gate Of Hell (Teinosuke Kinugasa)

BEST ACTOR
1. Montgomery Clift in I Confess (but not From Here To Eternity)
2. Richard Burton in The Robe
3. James Mason in Julius Caesar and The Story Of Three Loves
4. Vittorio Gassman in The Glass Wall
5. Stephen McNally in Split Second

BEST ACTRESS
1. Ava Gardner in Mogambo
2. Leslie Caron in Lili
3. Machiko Kyô in Gate of Hell and Ugetsu
4. Jean Simmons in Young Bess and The Robe and The Actress
5. Lauren Bacall in How To Marry A Millionaire

BEST SUPPORTING ACTOR
1. William Talman in The Hitch-Hiker
2. John Gielgud in Julius Caesar
3. Jack Buchanan in The Band Wagon
4. William Powell in How To Marry a Millionaire
5. Millard Mitchell in The Naked Spur

BEST SUPPORTING ACTRESS
1. Marilyn Monroe in How To Marry A Millionaire
2. Anne Crawford in Knights Of The Round Table
3. Donna Reed in From Here To Eternity
4. Moira Shearer in The Story Of Three Loves
5. Celia Johnson in The Captain’s Paradise

BEST DIRECTOR
1. Vincente Minnelli for The Band Wagon
2. Andre de Toth for Last Of The Comanches and Thunder Over The Plains
3. Gottfried Reinhardt and Vincente Minnelli for The Story Of Three Loves
4. Alfred Hitchcock for I Confess
5. Yasujiro Ozu for Tokyo Story

BEST ORIGINAL SCREENPLAY
1. The Band Wagon – Betty Comden and Adolph Green
2. Tokyo Story – Kôgo Noda and Yasujiro Ozu
3. Il Vitelloni – Federico Fellini, Ennio Flajano and Tullio Pinelli
4. Niagara – Charles Brackett, Walter Reisch and Richard L. Breen
5. The Captain’s Paradise – Alec Copel and Nicholas Phipps

BEST ADAPTED SCREENPLAY
1. The Story Of Thee Loves
2. Lili – Helen Deutsch
3. I Confess – George Tabori and William Archibald
4. Gate Of Hell – Teinosuke Kinugasa and Masaichi Nagata
5. Arrowhead -- Charles Marquis Warren

BEST BLACK-AND-WHITE CINEMATOGRAPHY
1. The President’s Lady – Leo Tover
2. Sawdust and Tinsel – Hilding Bladh and Sven Nykvist
3. Julius Caesar – Joseph Ruttenberg
4. I Confess – Robert Burks
5. The Man Between – Desmond Dickinson

BEST COLOR CINEMATOGRAPHY
1. The Story Of Three Loves – Charles Rosher, Harold Rosson
2. The Robe – Leon Shamroy
3. War Of The Worlds – George Barnes
4. The Band Wagon – Harry Jackson
5. Thunder Bay – Williams Daniels

BEST FILM EDITING
1. Last Of The Comanches
2. The Band Wagon
3. I Confess
4. Niagara
5. The Story Of Three Loves

BEST ART DIRECTION
1. The Story Of Three Loves
2. Invaders From Mars
3. The Band Wagon
4. How To Marry A Millionaire
5. The Robe

BEST COSTUME DESIGN
1. Lili and The Band Wagon – Mary Ann Nyberg
2. How To Marry A Millionaire – Charles Le Maire and Travilla
3. Young Bess and All The Brothers Were Valiant – Walter Plunkett
4. Niagara – Dorothy Jeakins
5. The President’s Lady – Charles Le Maire and Renié

BEST MUSIC – MUSICAL FILM
1. The Band Wagon
2. Call Me Madam
3. Calamity Jane
4. The Affairs Of Dobie Gillis
5. Lili

BEST MUSIC – NON-MUSICAL FILM
1. I Confess – Dimitri Tiomkin
2. The President’s Lady – Alfred Newman
3. Beneath The 12 Mile Reef – Bernard Hermann
4. Gate Of Hell – Yasushi Akutagawa
5. Thunder Bay – Frank Skinner

BEST SONG
1. That’s Entertainment (The Band Wagon) – Arthur Schwartz; Howard Deitz
2. Secret Love (Calamity Jane) – Paul Francis Webster and Sammy Fain
3. Blue Gardenia (The Blue Gardenia) – Lester Lee and Sidney Russell
4. No Escape (No Escape) – Bert Shefter and Charles Bennett
5. That’s Amore (The Caddy) – Harry Warren and Jack Brooks

BEST SPECIAL EFFECTS
1. War Of The Worlds
2. Split Second
3. All The Brothers Were Valiant
4. Thunder Bay
5. Take The High Ground

WORST MOVIE
1. Beneath The 12 Mile Reef
2. The 5,000 Fingers Of Dr. T
3. Egypt By Three
4. Hondo
5. Confidentially Connie




Edited By Damien on 1289373737
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Post by Bruce_Lavigne »

Best Picture
Shane (George Stevens)

Best Actor
Montgomery Clift (From Here to Eternity)

Best Actress
Audrey Hepburn (Roman Holiday)

Best Supporting Actor
Frank Sinatra (From Here to Eternity)

Best Supporting Actress
Donna Reed (From Here to Eternity)

Best Director
George Stevens (Shane)
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Post by Precious Doll »

Best Film

1. Tokyo Story
2. Pickup on South Street
3. The Big Heat
4. Hondo
5. From Here to Eternity

Best Director

1. Yasjiro Ozu, Toyko Story
2. Samuel Fuller, Pick Up on South Street
3. Fritz Lang, The Big Heat
4. John Farrow, Hondo
5. Fred Zinnemann, From Here to Eternity

Best Actor

1. James Hayter, The Pickwick Papers
2. John Wayne, Hondo
3. Richard Widmark, Pickup on South Street
4. Montgomery Clift, From Here to Eternity
5. Burt Lancaster, From Here to Eternity

Best Actress

1. Audrey Hepburn, Roman Holiday
2. Mitsuko Miura, Ugetsu Monogatairi
3. Kinuyo Tanaka, Ugetsu Monogatairi
4. Simone Signoret, Therese Raquin
5. Deborah Kerr, From Here to Eternity

Best Supporting Actor

1. Lee Marvin, The Big Heat
2. James Donald, The Pickwick Papers
3. Robert Morely, The Final Test
4. Peter Lorre, Beat the Devil
5. Robert Morely, Beat the Devil

Best Supporting Actress

1. Geraldine Page, Hondo
2. Gloria Graham, The Big Heat
3. Thelma Ritter, Pickup on South Street
4. Setsuko Hara, Tokyo Story
5. Jean Arthur, Shane

Best Screenplay

1. Tokyo Story
2. Pickup on South Street
3. Hondo
4. Mr. Hulot’s Holiday
5. Roman Holiday

Best Screenplay Adaptation

1. The Big Heat
2. From Here to Eternity
3. Beat the Devil
4. Ugetsu Monogatari
5. I Confess

Best Cinematography

1. Gate of Hell
2. Ugetsu Monogatari
3. Hondo
4. I Confess
5. The Bandwagon

Best Editing

1. Pickup on South Street
2. The Big Heat
3. Beat the Devil
4. Hondo
5. The Earrings of Madame D

Best Sound

1. The Bandwagon
2. I Confess
3. From Here to Eternity
4. Hondo
5. Roman Holiday

Best Art Direction

1. Gate of Hell
2. The Pickwick Papers
3. The Earrings of Madame D
4. The Bandwagon
5. The President’s Lady

Best Costume Design

1. Gate of Hell
2. From Here to Eternity
3. The Earrings of Madame D
4. The Pickwick Papers
5. The Bandwagon

Best Music

1. From Here to Eternity
2. I Confess
3. Roman Holiday
4. Beat the Devil
5. The Great Adventure
Last edited by Precious Doll on Wed Apr 10, 2019 9:08 am, edited 1 time in total.
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Post by MCAR »

Picture:
The Band Wagon
The Big Heat
From Here To Eternity
The Naked Spur
*Roman Holiday*

Actor:
Marlon Brando – Julius Caesar
Montgomery Clift – From Here To Eternity
William Holden – Stalag 17
Gregory Peck – Roman Holiday
James Stewart – The Naked Spur

Actress:
Leslie Caron – Lili
Ava Gardner – Mogambo
*Audrey Hepburn – Roman Holiday*
Anna Magnani – Bellissima
Ethel Merman – Call Me Madam

Supporting Actor:
Eddie Albert – Roman Holiday
Jack Buchanan – The Band Wagon
Lee Marvin – The Big Heat
Jack Palance – Shane
Frank Sinatra – From Here To Eternity

Supporting Actress:
Gloria Grahame – The Big Heat
Deborah Kerr – From Here To Eternity
Geraldine Page - Hondo
Donna Reed – From Here To Eternity
Thelma Ritter – Pickup On South Street

Director:
Fritz Lang – The Big Heat
Anthony Mann – The Naked Spur
Vincente Minnelli – The Band Wagon
Billy Wilder – Stalag 17
William Wyler – Roman Holiday

Original Screenplay:
Ray Ashley, Morris Engel & Ruth Orkin - Little Fugitive
T.E.B. Clarke – The Titfield Thunderbolt
Betty Comden & Adolph Green - The Band Wagon
Harold Jack Bloom & Sam Rolfe - The Naked Spur
*John Dighton & Dalton Trumbo - Roman Holiday*

Adapted Screenplay:
Milt Banta, Winston Hibbler, Bill Peet, Ted Sears & Ralph Wright- Peter Pan
Edwin Blum & Billy Wilder - Stalag 17
Sidney Boehm - The Big Heat
Joseph L. Mankiewicz - Julius Caesar
Daniel Taradash - From Here To Eternity

Foreign Film:
Bellissima (Italy)
A Geisha (Japan)
The Story Of Little Mook (Germany)
*Tokyo Story (Japan)*
Welcome Mr. Marshall (Spain)
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1953 Oscar Shouldabeens

Post by Reza »

1953
Best Picture
The Band Wagon
From Here to Eternity
Shane
*Tokyo Story
Ugetsu

Best Actor
*Montgomery Clift, I Confess
Glenn Ford, The Big Heat
Alan Ladd, Shane
Burt Lancaster, From Here to Eternity
Richard Widmark, Pickup on South Street

Best Actress
Doris Day, Calamity Jane
Ava Gardner, Mogambo
*Audrey Hepburn, Roman Holiday
Deborah Kerr, From Here to Eternity
Jean Simmons, Young Bess

Best Supporting Actor
Van Heflin, Shane
Peter Lorre, Beat the Devil
Lee Marvin, The Big Heat
Robert Morley, Beat the Devil
*Frank Sinatra, From Here to Eternity

Best Supporting Actress
Jean Arthur, Shane
Gloria Grahame, The Big Heat
Setsuko Hara, Tokyo Story
Donna Reed, From Here to Eternity
*Thelma Ritter, Pickup on South Street

Best Director
Vincente Minnelli, The Band Wagon
Kenji Mizoguchi, Ugetsu
*Yasujirô Ozu, Tokyo Story
George Stevens, Shane
Fred Zinnemann, From Here to Eternity
Last edited by Reza on Fri Dec 04, 2020 6:40 am, edited 7 times in total.
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1953 Oscar Shouldabeens

Post by Big Magilla »

1953

Best Picture
The Big Heat
*From Here to Eternity
The Naked Spur
Pickup on South Street
Shane

Best Actor
*Montgomery Clift, From Here to Eternity
Bing Crosby, Little Boy Lost
William Holden, Stalag 17
Alan Ladd, Shane
Burt Lancaster, From Here to Eternity

Best Actress
Leslie Caron, Lili
Ava Gardner, Mogambo
*Audrey Hepburn, Roman Holiday
Deborah Kerr, From Here to Eternity
Jean Simmons, Young Bess

Best Supporting Actor
Eddie Albert, Roman Holiday
Brandon De Wilde, Shane
Christian Fourcade, Little Boy Lost
Van Heflin, Shane
*Frank Sinatra, From Here to Eternity

Best Supporting Actress
Jean Arthur, Shane
Gloria Grahame, The Big Heat
Grace Kelly, Mogambo
Donna Reed, From Here to Eternity
*Thelma Ritter, Pickup on South Street

Best Director
Samuel Fuller, Pickup on South Street
Fritz Lang, The Big Heat
Anthony Mann, The Naked Spur
George Stevens, Shane
*Fred Zinnemann, From Here to Eternity
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