Best Cinematography 1955
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Re: Best Cinematography 1955
Bump this thread up as I added to some much older threads that bumped this down.
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Re: Best Cinematography 1955
More than that, Precious, it was a slip of the brain. I meant to include The Night of the Hunter, not Rebel Without a Cause. Corrected below.Precious Doll wrote:A slip of the fingers on the keyboard Magilla - Rebel Without a Cause was in colour.Big Magilla wrote:Black-and-White
Most conspicuous by their absence were Kiss Me Deadly (Ernest Laszlo), Rebel Without a Cause (Ernest Haller), One Summer of Happiness (Goran Strindberg) and The Wages of Fear (Armond Thirard), which should have won.
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Re: Best Cinematography 1955
A slip of the fingers on the keyboard Magilla - Rebel Without a Cause was in colour.Big Magilla wrote:Black-and-White
Most conspicuous by their absence were Kiss Me Deadly (Ernest Laszlo), Rebel Without a Cause (Ernest Haller), One Summer of Happiness (Goran Strindberg) and The Wages of Fear (Armond Thirard), which should have won.
Overall these are ordinary line-ups particularly given the outstanding quality for 1955. I voted for Queen Bee and Oklahoma, probably the only really deserved nominee.
Omissions (subject to eligibility) include All That Heaven Allows, East of Eden, Night of the Hunter, Picnic, Rebel Without a Cause, Kidd Me Deadly, The Trouble with Harry, Land of the Pharaohs, The Cobweb, Moonfleet, Order, A Kid for Two Farthings, Dreams & The Deep Blue Sea.
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Re: Best Cinematography 1955
Black-and-White
Most conspicuous by their absence were Stanley Cortez (The Night of the Hunter), Kiss Me Deadly (Ernest Laszlo), One Summer of Happiness (Goran Strindberg) and The Wages of Fear (Armond Thirard), which should have won.
None of the actual nominees came close to the forgotten four, but Blackboard Jungle and Marty were the best photographed among them. It's nice that James Wong Howe finally won an Oscar, but his best black-and-white work (Hud, Seconds) was ahead of him.
I voted for Blackboard Jungle.
Color
Howe's 1955 nomination and win should have been for Picnic. If not him, then it should have gone to Jack Hildyard (Summertime), Ted D. McCord for East of Eden (Ted D. McCord) or Russell Metty for All That Heaven Allows. Instead they nominated Guys and Dolls, Oklahoma!, A Man Called Peter and the gorgeous to look at but narratively dull To Catch a Thief.
Both To Catch a Thief and Love Is a Many-Splendored Thing were gorgeous to look at, and audiences came as much for the dreamy cinematography that put them in Monte Carlo and Hong Kong as they did for the stories. With the superior story line, Love Is a Many-Splendored Thing gets my vote by default.
Most conspicuous by their absence were Stanley Cortez (The Night of the Hunter), Kiss Me Deadly (Ernest Laszlo), One Summer of Happiness (Goran Strindberg) and The Wages of Fear (Armond Thirard), which should have won.
None of the actual nominees came close to the forgotten four, but Blackboard Jungle and Marty were the best photographed among them. It's nice that James Wong Howe finally won an Oscar, but his best black-and-white work (Hud, Seconds) was ahead of him.
I voted for Blackboard Jungle.
Color
Howe's 1955 nomination and win should have been for Picnic. If not him, then it should have gone to Jack Hildyard (Summertime), Ted D. McCord for East of Eden (Ted D. McCord) or Russell Metty for All That Heaven Allows. Instead they nominated Guys and Dolls, Oklahoma!, A Man Called Peter and the gorgeous to look at but narratively dull To Catch a Thief.
Both To Catch a Thief and Love Is a Many-Splendored Thing were gorgeous to look at, and audiences came as much for the dreamy cinematography that put them in Monte Carlo and Hong Kong as they did for the stories. With the superior story line, Love Is a Many-Splendored Thing gets my vote by default.
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Best Cinematography 1955
Here we go again...