Oops Robards is dead!Reza wrote:But Dreyfuss, Keaton, Robards and Redgrave from 1977 are also still alive.dbensics wrote:Now that Ernest Borgnine is dead, Maximilian Schell is the earliest Best Actor winner who is still alive.
Indeed, for the Oscar year 1961, all four acting winners are still alive...Schell, Loren, Chakiris, Moreno.
The next earliest year when this is the case is 1978...Voight, Fonda, Walken, Smith.
R.I.P. Ernest Borgnine
Re: R.I.P. Ernest Borgnine
Re: R.I.P. Ernest Borgnine
But Dreyfuss, Keaton, Robards and Redgrave from 1977 are also still alive.dbensics wrote:Now that Ernest Borgnine is dead, Maximilian Schell is the earliest Best Actor winner who is still alive.
Indeed, for the Oscar year 1961, all four acting winners are still alive...Schell, Loren, Chakiris, Moreno.
The next earliest year when this is the case is 1978...Voight, Fonda, Walken, Smith.
Re: R.I.P. Ernest Borgnine
Now that Ernest Borgnine is dead, Maximilian Schell is the earliest Best Actor winner who is still alive.
Indeed, for the Oscar year 1961, all four acting winners are still alive...Schell, Loren, Chakiris, Moreno.
The next earliest year when this is the case is 1978...Voight, Fonda, Walken, Smith.
Indeed, for the Oscar year 1961, all four acting winners are still alive...Schell, Loren, Chakiris, Moreno.
The next earliest year when this is the case is 1978...Voight, Fonda, Walken, Smith.
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Big Magilla
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Re: R.I.P. Ernest Borgnine
Politics aside, by all accounts "call me Ernie" Borgnine was one of the nicest, ego free actors in the history of Hollywood. He was in his way as beloved a figure as Nora Ephron and Andy Griffith, making this one of those "death comes in threes" situations.
Here's a nice write-up by Scott Feinberg in the Hollywood Reporter:
http://www.hollywoodreporter.com/race/e ... iew-346400
Here's a nice write-up by Scott Feinberg in the Hollywood Reporter:
http://www.hollywoodreporter.com/race/e ... iew-346400
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OscarGuy
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Re: R.I.P. Ernest Borgnine
I could have sworn that was Tony Curtis, but I guess I'm thinking of someone else...
Wesley Lovell
"Any society that would give up a little liberty to gain a little security will deserve neither and lose both." - Benjamin Franklin
"Any society that would give up a little liberty to gain a little security will deserve neither and lose both." - Benjamin Franklin
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FilmFan720
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Re: R.I.P. Ernest Borgnine
Yeah, wasn't he one of the major opponents to Brokeback Mountain ("John Wayne is rolling over in his grave")? Still, a fine actor!
"Go into the world and do well. But more importantly, go into the world and do good."
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- Minor Myers, Jr.
Re: R.I.P. Ernest Borgnine
This is where I miss Damien on this board. He would have had a few choice words about Borgnine's Republicanism, which would automatically disqualify him from being "one of the good guys."OscarGuy wrote: AFAIK he was one of the good guys.
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HollywoodZ
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Re: R.I.P. Ernest Borgnine
I actually had the chance to meet him 12 years ago. He was a true gentleman and the nicest person, so far from what you'd expect from a celebrity. 
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Big Magilla
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Re: R.I.P. Ernest Borgnine
N.Y. Times obituary:
Ernest Borgnine, the rough-hewn actor who seemed destined for tough-guy characters but won an Academy Award for embodying the gentlest of souls, a lonely Bronx butcher, in the 1955 film “Marty,“ died on Sunday in Los Angeles. He was 95.
His death, at Cedars-Sinai Medical Center, was announced by Harry Flynn, his longtime spokesman.
Mr. Borgnine, who later starred on “McHale’s Navy” on television, made his first memorable impression in films at age 37, appearing in “From Here to Eternity” (1953) as Fatso Judson, the sadistic stockade sergeant who beats Frank Sinatra’s character, Private Maggio, to death. But Paddy Chayefsky, who wrote “Marty” as a television play, and Delbert Mann, who directed it (it starred Rod Steiger), saw something beyond brutality in Mr. Borgnine and offered him the title role when it was made into a feature film.
The 1950s had emerged as the decade of the common man, with Willy Loman of “Death of a Salesman” on Broadway and the likes of the bus driver Ralph Kramden (“The Honeymooners”) and the factory worker Chester Riley (“The Life of Riley”) on television. Mr. Borgnine’s Marty Pilletti, a 34-year-old blue-collar bachelor who still lives with his mother, fit right in, showing the tender side of the average, unglamorous guy next door.
Marty’s awakening, as he unexpectedly falls in love, was described by Bosley Crowther in The New York Times as “a beautiful blend of the crude and the strangely gentle and sensitive in a monosyllabic man.”
Mr. Borgnine received the Oscar for best actor for “Marty.” For the same performance he also received a Golden Globe and awards from the New York Film Critics Circle, the National Board of Review and the British Academy of Film and Television Arts.
Mr. Borgnine won even wider fame as the star of the ABC sitcom “McHale’s Navy” (1962-66), originating the role of an irreverent con man of a PT boat skipper. (The cast also included a young Tim Conway.) He wrote in his autobiography, “Ernie” (Citadel Press, 2008), that he had turned down the role because he refused to do a television series but changed his mind when a boy came to his door selling candy and said, although he knew who James Arness of “Gunsmoke” and Richard Boone of “Have Gun, Will Travel” were, he had never heard of Ernest Borgnine.
Over a career that lasted more than six decades the burly, big-voiced Mr. Borgnine was never able to escape typecasting completely, at least in films. Although he did another Chayefsky screenplay, starring with Bette Davis as a working-class father of the bride in “The Catered Affair” (1956), and even appeared in a musical, “The Best Things in Life Are Free” (1956), playing a Broadway showman, the vast majority of the characters he played were villains.
Military roles continued to beckon. One of his best known was as Lee Marvin’s commanding officer in “The Dirty Dozen” (1967), about hardened prisoners on a World War II commando mission. He also starred in three television-movie sequels.
But he worked in virtually every genre. Filmmakers cast him as a gangster, even in satirical movies like “Spike of Bensonhurst” (1988). He was in westerns like Sam Peckinpah’s blood-soaked classic “The Wild Bunch” (1969) and crime dramas like “Bad Day at Black Rock” (1955).
He played gruff police officers, like his character in the disaster blockbuster “The Poseidon Adventure” (1972), and bosses from hell, as in the horror movie “Willard” (1971). Twice he played a manager of gladiators, in “Demetrius and the Gladiators” (1954) and in the 1984 mini-series “The Last Days of Pompeii.”
Mr. Borgnine’s menacing features seemed to disappear when he flashed his trademark gaptoothed smile, and later in life he began to find good-guy roles, like the helpful taxi driver in “Escape From New York” (1981) and the title role in “A Grandpa for Christmas,” a 2007 television movie.
“McHale’s Navy” and the 1964 film inspired by it were his most notable forays into comedy, but in 1999 he began doing the voice of a recurring character, the elderly ex-superhero Mermaidman, in the animated series “SpongeBob SquarePants.” He continued to play that role until last year.
He began his career on the stage but unlike many actors who had done the same, Mr. Borgnine professed to have no burning desire to return there. “Once you create a character for the stage, you become like a machine,” he told The Washington Post in 1969. In films, he said, “you’re always creating something new.”
Ermes Effron Borgnino was born on Jan. 24, 1917, in Hamden, Conn., near New Haven. His father was a railroad brakeman. His mother was said to be the daughter of a count, Paolo Boselli, an adviser to King Victor Emmanuel of Italy.
The boy spent several years of his childhood in Italy, where his mother returned during a long separation from her husband. But they returned to Connecticut, and he graduated from high school there.
He joined the Navy at 18 and served for 10 years. During World War II he was a gunner’s mate. After the war he considered factory jobs, but his mother suggested that he try acting. Her reasoning, he reported, was, “You’ve always liked making a damned fool of yourself.”
He studied at the Randall School of Drama in Hartford, then moved to Virginia, where he became a member of the Barter Theater in Abingdon and worked his way up from painting scenery to playing the Gentleman Caller in “The Glass Menagerie.”
In the late 1940s he headed for New York, where by 1952 he was appearing on Broadway as a bodyguard in the comic fantasy “Mrs. McThing,” starring Helen Hayes. He had already made his movie debut playing a Chinese shopkeeper in the 1951 adventure “China Corsair.”
Mr. Borgnine never retired from acting. In the 1980s he starred in another television series, the adventure drama “Airwolf,” playing a helicopter pilot. He took a supporting role as a bubbly doorman in the 1990s sitcom “The Single Guy.” His last film appearance was in “The Man Who Shook the Hand of Vicente Fernandez,” not yet released, in which he plays an elderly man who becomes a celebrity to Latino employees at the nursing home where he lives. On television, he was in the series finale of “ER” in 2009 and appeared in a cable film, “Love’s Christmas Journey,” last year.
His other films included “The Vikings” (1958); “Ice Station Zebra” (1968); “Hoover” (2000), in which he played J. Edgar Hoover; and “Gattaca” (1997).
Mr. Borgnine, who lived in Beverly Hills, was married five times. In 1949 he married Rhoda Kemins, whom he had met when they were both in the Navy. They had a daughter but divorced in 1958. On New Year’s Eve 1959 he and the Mexican-born actress Katy Jurado were married; they divorced in 1962.
His third marriage was his most notorious because of its brevity. He and the Broadway musical star Ethel Merman married in late June 1964 but split up in early August. Mr. Borgnine later contended that Ms. Merman left because she was upset that on an international honeymoon trip he was recognized and she wasn’t.
In 1965 he married Donna Rancourt; they had two children before divorcing in 1972. In 1973 he married for the fifth and last time, to Tova Traesnaes, who under the name Tova Borgnine became a cosmetics entrepreneur.
She survives him, as do his children, Christofer, Nancee and Sharon Borgnine; a stepson, David Johnson; six grandchildren; and his sister, Evelyn Verlardi.
Asked about his acting methods in 1973, Mr. Borgnine told The New York Times: “No Stanislavsky. I don’t chart out the life histories of the people I play. If I did, I’d be in trouble. I work with my heart and my head, and naturally emotions follow.”
Sometimes he prayed, he said, or just reflected on character-appropriate thoughts. “If none of that works,” he added, “I think to myself of the money I’m making.”
Ernest Borgnine, the rough-hewn actor who seemed destined for tough-guy characters but won an Academy Award for embodying the gentlest of souls, a lonely Bronx butcher, in the 1955 film “Marty,“ died on Sunday in Los Angeles. He was 95.
His death, at Cedars-Sinai Medical Center, was announced by Harry Flynn, his longtime spokesman.
Mr. Borgnine, who later starred on “McHale’s Navy” on television, made his first memorable impression in films at age 37, appearing in “From Here to Eternity” (1953) as Fatso Judson, the sadistic stockade sergeant who beats Frank Sinatra’s character, Private Maggio, to death. But Paddy Chayefsky, who wrote “Marty” as a television play, and Delbert Mann, who directed it (it starred Rod Steiger), saw something beyond brutality in Mr. Borgnine and offered him the title role when it was made into a feature film.
The 1950s had emerged as the decade of the common man, with Willy Loman of “Death of a Salesman” on Broadway and the likes of the bus driver Ralph Kramden (“The Honeymooners”) and the factory worker Chester Riley (“The Life of Riley”) on television. Mr. Borgnine’s Marty Pilletti, a 34-year-old blue-collar bachelor who still lives with his mother, fit right in, showing the tender side of the average, unglamorous guy next door.
Marty’s awakening, as he unexpectedly falls in love, was described by Bosley Crowther in The New York Times as “a beautiful blend of the crude and the strangely gentle and sensitive in a monosyllabic man.”
Mr. Borgnine received the Oscar for best actor for “Marty.” For the same performance he also received a Golden Globe and awards from the New York Film Critics Circle, the National Board of Review and the British Academy of Film and Television Arts.
Mr. Borgnine won even wider fame as the star of the ABC sitcom “McHale’s Navy” (1962-66), originating the role of an irreverent con man of a PT boat skipper. (The cast also included a young Tim Conway.) He wrote in his autobiography, “Ernie” (Citadel Press, 2008), that he had turned down the role because he refused to do a television series but changed his mind when a boy came to his door selling candy and said, although he knew who James Arness of “Gunsmoke” and Richard Boone of “Have Gun, Will Travel” were, he had never heard of Ernest Borgnine.
Over a career that lasted more than six decades the burly, big-voiced Mr. Borgnine was never able to escape typecasting completely, at least in films. Although he did another Chayefsky screenplay, starring with Bette Davis as a working-class father of the bride in “The Catered Affair” (1956), and even appeared in a musical, “The Best Things in Life Are Free” (1956), playing a Broadway showman, the vast majority of the characters he played were villains.
Military roles continued to beckon. One of his best known was as Lee Marvin’s commanding officer in “The Dirty Dozen” (1967), about hardened prisoners on a World War II commando mission. He also starred in three television-movie sequels.
But he worked in virtually every genre. Filmmakers cast him as a gangster, even in satirical movies like “Spike of Bensonhurst” (1988). He was in westerns like Sam Peckinpah’s blood-soaked classic “The Wild Bunch” (1969) and crime dramas like “Bad Day at Black Rock” (1955).
He played gruff police officers, like his character in the disaster blockbuster “The Poseidon Adventure” (1972), and bosses from hell, as in the horror movie “Willard” (1971). Twice he played a manager of gladiators, in “Demetrius and the Gladiators” (1954) and in the 1984 mini-series “The Last Days of Pompeii.”
Mr. Borgnine’s menacing features seemed to disappear when he flashed his trademark gaptoothed smile, and later in life he began to find good-guy roles, like the helpful taxi driver in “Escape From New York” (1981) and the title role in “A Grandpa for Christmas,” a 2007 television movie.
“McHale’s Navy” and the 1964 film inspired by it were his most notable forays into comedy, but in 1999 he began doing the voice of a recurring character, the elderly ex-superhero Mermaidman, in the animated series “SpongeBob SquarePants.” He continued to play that role until last year.
He began his career on the stage but unlike many actors who had done the same, Mr. Borgnine professed to have no burning desire to return there. “Once you create a character for the stage, you become like a machine,” he told The Washington Post in 1969. In films, he said, “you’re always creating something new.”
Ermes Effron Borgnino was born on Jan. 24, 1917, in Hamden, Conn., near New Haven. His father was a railroad brakeman. His mother was said to be the daughter of a count, Paolo Boselli, an adviser to King Victor Emmanuel of Italy.
The boy spent several years of his childhood in Italy, where his mother returned during a long separation from her husband. But they returned to Connecticut, and he graduated from high school there.
He joined the Navy at 18 and served for 10 years. During World War II he was a gunner’s mate. After the war he considered factory jobs, but his mother suggested that he try acting. Her reasoning, he reported, was, “You’ve always liked making a damned fool of yourself.”
He studied at the Randall School of Drama in Hartford, then moved to Virginia, where he became a member of the Barter Theater in Abingdon and worked his way up from painting scenery to playing the Gentleman Caller in “The Glass Menagerie.”
In the late 1940s he headed for New York, where by 1952 he was appearing on Broadway as a bodyguard in the comic fantasy “Mrs. McThing,” starring Helen Hayes. He had already made his movie debut playing a Chinese shopkeeper in the 1951 adventure “China Corsair.”
Mr. Borgnine never retired from acting. In the 1980s he starred in another television series, the adventure drama “Airwolf,” playing a helicopter pilot. He took a supporting role as a bubbly doorman in the 1990s sitcom “The Single Guy.” His last film appearance was in “The Man Who Shook the Hand of Vicente Fernandez,” not yet released, in which he plays an elderly man who becomes a celebrity to Latino employees at the nursing home where he lives. On television, he was in the series finale of “ER” in 2009 and appeared in a cable film, “Love’s Christmas Journey,” last year.
His other films included “The Vikings” (1958); “Ice Station Zebra” (1968); “Hoover” (2000), in which he played J. Edgar Hoover; and “Gattaca” (1997).
Mr. Borgnine, who lived in Beverly Hills, was married five times. In 1949 he married Rhoda Kemins, whom he had met when they were both in the Navy. They had a daughter but divorced in 1958. On New Year’s Eve 1959 he and the Mexican-born actress Katy Jurado were married; they divorced in 1962.
His third marriage was his most notorious because of its brevity. He and the Broadway musical star Ethel Merman married in late June 1964 but split up in early August. Mr. Borgnine later contended that Ms. Merman left because she was upset that on an international honeymoon trip he was recognized and she wasn’t.
In 1965 he married Donna Rancourt; they had two children before divorcing in 1972. In 1973 he married for the fifth and last time, to Tova Traesnaes, who under the name Tova Borgnine became a cosmetics entrepreneur.
She survives him, as do his children, Christofer, Nancee and Sharon Borgnine; a stepson, David Johnson; six grandchildren; and his sister, Evelyn Verlardi.
Asked about his acting methods in 1973, Mr. Borgnine told The New York Times: “No Stanislavsky. I don’t chart out the life histories of the people I play. If I did, I’d be in trouble. I work with my heart and my head, and naturally emotions follow.”
Sometimes he prayed, he said, or just reflected on character-appropriate thoughts. “If none of that works,” he added, “I think to myself of the money I’m making.”
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OscarGuy
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Re: R.I.P. Ernest Borgnine
That makes two...sorry to hear about his passing. AFAIK he was one of the good guys.
Wesley Lovell
"Any society that would give up a little liberty to gain a little security will deserve neither and lose both." - Benjamin Franklin
"Any society that would give up a little liberty to gain a little security will deserve neither and lose both." - Benjamin Franklin
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Precious Doll
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R.I.P. Ernest Borgnine
Oscar winner Ernest Borgnine dead at 95
By Christopher Weber, Associated Press LOS ANGELES
Ernest Borgnine, the beefy screen star known for blustery, often villainous roles, but who won the best-actor Oscar for playing against type as a lovesick butcher in Marty in 1955, died Sunday. He was 95.
Actor Ernest Borgnine died at the age of 95 with his family by his side.
longtime spokesman, Harry Flynn, told The Associated Press that Borgnine died at Cedars-Sinai Medical Center with his family by his side.
Television fans loved Borgnine as the scheming Navy officer in the sitcom McHale's Navy. Borgnine was also known as the heavy who beats up Frank Sinatra in "From Here to Eternity" and one of the thugs who menaces Spencer Tracy in Bad Day at Block Rock.
By Christopher Weber, Associated Press LOS ANGELES
Ernest Borgnine, the beefy screen star known for blustery, often villainous roles, but who won the best-actor Oscar for playing against type as a lovesick butcher in Marty in 1955, died Sunday. He was 95.
Actor Ernest Borgnine died at the age of 95 with his family by his side.
longtime spokesman, Harry Flynn, told The Associated Press that Borgnine died at Cedars-Sinai Medical Center with his family by his side.
Television fans loved Borgnine as the scheming Navy officer in the sitcom McHale's Navy. Borgnine was also known as the heavy who beats up Frank Sinatra in "From Here to Eternity" and one of the thugs who menaces Spencer Tracy in Bad Day at Block Rock.
"I want cement covering every blade of grass in this nation! Don't we taxpayers have a voice anymore?" Peggy Gravel (Mink Stole) in John Waters' Desperate Living (1977)