No, he can't be, just as I am not, 15 years his senior. I would slug him, Damien.
Damien, your discussion of Auntie Mame was right on-the-mark. Not only was the great Roz a treat, but her supporting cast were perfect--Cass, Browne,Tucker, and , especially Joanna Barnes as Gloria Upson. I will never forget the "clenched teeth" and the "Bunny Bixby" line. This is one book that I read as a junior in high school, and could not WAIT for the film. I was so glad it was so good, and saw it at least 5 times then, I remember. The Auntie Mame in the book WAS Roz Russell, aguably her best role. Dennis must have had her in mind.
If any of you read the book, and know to whom I am referring, Beauregard Burnside's mother was described as having the personality of a "Westinghouse refrigerator", and "looked like a cross beteen a cockatoo and Caligula." Patrick Dennis was a fine writer of the type.
Auntie Mame - The Best Picture Of 1958
-
- Emeritus
- Posts: 4312
- Joined: Mon Apr 28, 2003 8:49 pm
How ironic. I just saw this on stage last night. Of course, few versions can compare to the wonderful film. What strikes me most about that film now is how truly cinematic it seems, despite very little alteration from the original text.
I love Auntie Mame, Damien. I hope I can be your friend. (Although I do like The Incredibles . . .)
I love Auntie Mame, Damien. I hope I can be your friend. (Although I do like The Incredibles . . .)
I think Auntie Mame is an absolutely perfect film -- everything about it works. It's warm without being coy, satirical without being nasty, and generous of spirit without being maudlin. Above all, Auntie Mame is one of those rare films that makes you appreciate life, and not just life, but also the wonderful individuals you meet along life's journey. It's a film of immense kindness.
The Comden & Green script is superb -- both narrative and dialogue are perfectly realized. Morton Da Costa's direction not only draws great performances, but he strikes just the right balance of heart and sophistication; and for a script-driven vehicle, the film is amazingly fluid. I especially love the fade-outs he employs after scenes, which beautifully encompass thetheatricality of Mame's life.
And I would argue that Auntie Mame's only rival as the overall best acted comedic film ever is The Shop Around The Corner. Everyone in Auntie Mame is superb, and there is a plethora of seminal and unforgettable performances. Roz of course gives one of the great tour de forces ever leading to one of Oscar's greattest injustices (Susan Hayward in I Want To Live -- phhha!). Plus the amazing Upsons: the great character actors Willard Waterman and Lee Patrick, and Joanna Barnes in the screen's most memorable example of Larchmont Lockjaw; three great and fearless performances. There's also the brilliant Coral Browne, the amusing Peggy Cass, Forrest Tucker who brings such warmth and self-effacing masculinity to his best role ever, the equally warm and likable Patrick Knowles, and Jan Handzlik whose wide eyed innocence wonderfully gives way to a delightful awareness of the joys of life.
My bottom line is: if you don't love this film, then we could never be friends. Or lovers.
The Comden & Green script is superb -- both narrative and dialogue are perfectly realized. Morton Da Costa's direction not only draws great performances, but he strikes just the right balance of heart and sophistication; and for a script-driven vehicle, the film is amazingly fluid. I especially love the fade-outs he employs after scenes, which beautifully encompass thetheatricality of Mame's life.
And I would argue that Auntie Mame's only rival as the overall best acted comedic film ever is The Shop Around The Corner. Everyone in Auntie Mame is superb, and there is a plethora of seminal and unforgettable performances. Roz of course gives one of the great tour de forces ever leading to one of Oscar's greattest injustices (Susan Hayward in I Want To Live -- phhha!). Plus the amazing Upsons: the great character actors Willard Waterman and Lee Patrick, and Joanna Barnes in the screen's most memorable example of Larchmont Lockjaw; three great and fearless performances. There's also the brilliant Coral Browne, the amusing Peggy Cass, Forrest Tucker who brings such warmth and self-effacing masculinity to his best role ever, the equally warm and likable Patrick Knowles, and Jan Handzlik whose wide eyed innocence wonderfully gives way to a delightful awareness of the joys of life.
My bottom line is: if you don't love this film, then we could never be friends. Or lovers.
"Y'know, that's one of the things I like about Mitt Romney. He's been consistent since he changed his mind." -- Christine O'Donnell