How did you get to see those?Eric wrote:Because this somehow seems sort of the most appropriate thread to do so, ranking the shorts:
Unseen 2010 Oscar Nominated Films
Won't See:
Country Strong
Salt
The Wolfman
Might See:
Alice in Wonderland
Harry Potter and the Deathly Hallows, Pt 1
I Am Love
Incendies
Outside the Law
The Tempest
Unstoppable
The Way Back
Will See:
Biutiful
GasLand
Hereafter
The Illusionist
In a Better World
Inside Job
Restrepo
Waste Land
...and borrowing a cue from Rain Bard
Remarkable:
Another Year
Dogtooth
Exit Through the Gift Shop
The Social Network
Winter's Bone
Recommendable:
Black Swan
How to Train Your Dragon
Rabbit Hole
Tangled
Toy Story 3
Re-watchable:
Animal Kingdom
The Fighter
The Kids Are All Right
The Town
True Grit
Regrettable:
Barney's Version
Blue Valentine
Inception
Iron Man 2
The King's Speech
TRON: Legacy
Reprehensible:
Huh. None thus far. Pretty cool.
Edited By Sabin on 1297130883
Country Strong
Salt
The Wolfman
Might See:
Alice in Wonderland
Harry Potter and the Deathly Hallows, Pt 1
I Am Love
Incendies
Outside the Law
The Tempest
Unstoppable
The Way Back
Will See:
Biutiful
GasLand
Hereafter
The Illusionist
In a Better World
Inside Job
Restrepo
Waste Land
...and borrowing a cue from Rain Bard
Remarkable:
Another Year
Dogtooth
Exit Through the Gift Shop
The Social Network
Winter's Bone
Recommendable:
Black Swan
How to Train Your Dragon
Rabbit Hole
Tangled
Toy Story 3
Re-watchable:
Animal Kingdom
The Fighter
The Kids Are All Right
The Town
True Grit
Regrettable:
Barney's Version
Blue Valentine
Inception
Iron Man 2
The King's Speech
TRON: Legacy
Reprehensible:
Huh. None thus far. Pretty cool.
Edited By Sabin on 1297130883
"How's the despair?"
Have seen:
True Grit
Winter´s Bone
The Social Network
Inception
The King´s Speech
The Kids are All Right
127 Hours
Toy Story 3
Alice in Wonderland
The Illusionist
Hereafter
Unstoppable
Tron: Legacy
Salt
Harry Potter and the Deathly Hallows I
I am Planning to see next week
The Fighter
Black Swan
Biutiful
True Grit
Winter´s Bone
The Social Network
Inception
The King´s Speech
The Kids are All Right
127 Hours
Toy Story 3
Alice in Wonderland
The Illusionist
Hereafter
Unstoppable
Tron: Legacy
Salt
Harry Potter and the Deathly Hallows I
I am Planning to see next week
The Fighter
Black Swan
Biutiful
I have seen, in approximate order of how I liked them:
Remarkable:
Tangled
Dogtooth
Another Year
Recommendable:
Exit Through the Gift Shop
the Social Network
Toy Story 3
Inside Job
Re-watchable:
the Kids Are Alright
I Am Love
the Illusionist
True Grit
the King's Speech
Black Swan
Inception
Regrettable:
How to Train Your Dragon
Tron: Legacy
Iron Man 2
Reprehensible:
Alice in Wonderland
I have not seen, in approximate order of current curiosity:
Might pay to see:
Incendies
Winter's Bone
Animal Kingdom
In A Better World
Restrepo
Waste Land
Blue Valentine
Better be free:
Barney's Version
The Fighter
Rabbit Hole
Outside the Law
The Way Back
Gasland
The Tempest
Hereafter
The Town
Country Strong
Salt
Harry Potter #7.0
they'll have to pay me:
127 Hours
Biutiful
the Wolfman
Unstoppable
Of the shorts, I've only seen Day & Night. It was better than the average Pixar short. (not a vary high bar, admittedly)
Remarkable:
Tangled
Dogtooth
Another Year
Recommendable:
Exit Through the Gift Shop
the Social Network
Toy Story 3
Inside Job
Re-watchable:
the Kids Are Alright
I Am Love
the Illusionist
True Grit
the King's Speech
Black Swan
Inception
Regrettable:
How to Train Your Dragon
Tron: Legacy
Iron Man 2
Reprehensible:
Alice in Wonderland
I have not seen, in approximate order of current curiosity:
Might pay to see:
Incendies
Winter's Bone
Animal Kingdom
In A Better World
Restrepo
Waste Land
Blue Valentine
Better be free:
Barney's Version
The Fighter
Rabbit Hole
Outside the Law
The Way Back
Gasland
The Tempest
Hereafter
The Town
Country Strong
Salt
Harry Potter #7.0
they'll have to pay me:
127 Hours
Biutiful
the Wolfman
Unstoppable
Of the shorts, I've only seen Day & Night. It was better than the average Pixar short. (not a vary high bar, admittedly)
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In LA, I've paid $16 -- and that's not for 3D or IMAX.ITALIANO wrote:12-13 dollars?! In Italy the price of a ticket goes from 5 euros (weekdays) to 7.5 euros (weekends), and people complain because it's too expensive...Mister Tee wrote:King's is playing at a Sony theatre where I can use already paid-for Costco tickets, rather than putting out $12-13 for Another Year;
12-13 dollars?! In Italy the price of a ticket goes from 5 euros (weekdays) to 7.5 euros (weekends), and people complain because it's too expensive...Mister Tee wrote:King's is playing at a Sony theatre where I can use already paid-for Costco tickets, rather than putting out $12-13 for Another Year;
I must admit I wasn't recommending it to you, Tee, based on your past reaction to Leigh – as you've said, it's not as conspicuous as Damien's – but based on, well, demographic reasoning. AY is such a mature, compassionate and perceptive view of life which has already been lived for at least a while. It's an adult film. And it offers an extremely captivating portrayal of marital bliss on the way.
As for Mike Leigh's opus – I've said it before, I love his films when they are not "a Mike Leigh movie". I have problems with his hard core social conscious ones – Life is Sweat, Naked, Career Girls, All or Nothing all have the kind of over awareness, they seem to immerge out of a preconceived agenda rather than an organic narration. The results in these cases might be conceived as unpleasantly acid and condescending I'm afraid. But when his films seem to be driven by another motivation, or at least by a more complex one – his social awareness is always present – the results are richer and much more satisfying. The melodramatic seed of Secrets and Lies, the artistic process in Topsy-Turvy, the reincarnation of time, place and human milieu in Vera Drake, the original character study that Happy-Goes-Lucky is – each one of these films becomes a unique and intriguing piece.
AY is in many ways the freest film Leigh has ever made. No, it's not a narrative driven movie, certainly not in a boy-stammers-boy-meets-therapist-boy-becomes-king-boy-and-therapist-bit-the-Nazies kind of way. But in its particular way, AY does have a very formalistic structure. It's like a musical piece, comprised of repetitions and variations, harmony and dissonance. And it offers such a wide array of human dramas, tragedies and joys by simply observing the most deceptively banal, every day actions and rituals as made by a bunch of human beings. Nothing more, nothing less.
Edited By Uri on 1296285595
As for Mike Leigh's opus – I've said it before, I love his films when they are not "a Mike Leigh movie". I have problems with his hard core social conscious ones – Life is Sweat, Naked, Career Girls, All or Nothing all have the kind of over awareness, they seem to immerge out of a preconceived agenda rather than an organic narration. The results in these cases might be conceived as unpleasantly acid and condescending I'm afraid. But when his films seem to be driven by another motivation, or at least by a more complex one – his social awareness is always present – the results are richer and much more satisfying. The melodramatic seed of Secrets and Lies, the artistic process in Topsy-Turvy, the reincarnation of time, place and human milieu in Vera Drake, the original character study that Happy-Goes-Lucky is – each one of these films becomes a unique and intriguing piece.
AY is in many ways the freest film Leigh has ever made. No, it's not a narrative driven movie, certainly not in a boy-stammers-boy-meets-therapist-boy-becomes-king-boy-and-therapist-bit-the-Nazies kind of way. But in its particular way, AY does have a very formalistic structure. It's like a musical piece, comprised of repetitions and variations, harmony and dissonance. And it offers such a wide array of human dramas, tragedies and joys by simply observing the most deceptively banal, every day actions and rituals as made by a bunch of human beings. Nothing more, nothing less.
Edited By Uri on 1296285595
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